Unabashed Self-Promotion—A Contest!

Well, after many long years of dreaming, I finally got ‘that’ moment. I walked into a bookstore, and found my own book on the shelf!

Needless to say, it was an awesome experience.

I’ve also seen pictures of it in familiar bookstores from around the country, and I’m beginning to think it’s something that won’t get old.

So, today’s post is a call to action. Please, if you see Edgar’s Worst Sunday for sale in a bookstore near you, take a picture and send it to me here. Let me know where it’s from, and I’ll share it proudly.

Every bit of support is appreciated, and taking photos isn’t the only way you can help. But everyone knows, help does not come cheap, so I’m happy to make this a bit more interesting.

Below is a list of small actions you can take to help Edgar’s Worst Sunday reach as many readers as possible. For anyone willing to take part in any and all—with evidence for the review—you can contact me here to be entered into a draw for a free signed copy of Edgar’s Worst Sunday!

How you can help out:

  • Send in pictures of Edgar’s Worst Sunday in stores—or with your own copy.
  • Share links to my posts about Edgar’s Worst Sunday on social media. Or even better—talk about it in person.
  • If you know a professional reviewer, ask if they’d be willing to do a review—copies can be provided.
  • Better yet, skip the pros and do it yourself—
  • THIS IS THE MOST IMPORTANT. Every review on Amazon.com makes a big difference—and this one is required for entry into the draw. All other review sites, or shares on Goodreads.com, etc. are also appreciated!

That’s it! Those small tasks could help out immensely, and win you not only a world of gratitude from yours truly, but also enter you into the draw to win your own signed copy. The draw will be held on Dec. 16th—so get those reviews in to win your personalized copy! Want a dedication? You got it. Want a poem, haiku, or ad-lib homily about your endless generosity? Just ask!

Now that Edgar’s Worst Sunday is available everywhere, I’ve been absolutely touched by the excitement and support I have and continue to see. It means a lot.

Thanks to all,

-Brad OH Inc.

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A Huge ‘Thank You’ from Everyone at Brad OH Inc.

Last Sunday, Nov. 4th, I held the official launch party for my novel, ‘Edgar’s Worst Sunday’. At the Tavern on Whyte, I shared laughs and stories with old friends and new, readers and writers, family and locals as we celebrated this incredible moment for myself, and for Brad OH Inc. To everyone that was there, I want to extend my most sincere thanks.

As mentioned, the book is now available on Amazon, at Chapters, and wherever you get your books. I also have a few copies remaining to sell, so if you’re local give me a shout and I can get a copy to you, as well as an autograph if you’d like.

For those of you who have grabbed your copies, if you’d be willing to leave a review on Amazon.ca, Amazon.com, and/ or Goodreads.com, my gratitude would be all the greater. These reviews really help increase the book’s standing, and allows it to become a recommended purchase.

Once more, thanks to everyone who has shown me love and support in this thrilling time. As I said in my speech, I’ve been truly humbled—and if you know me, that really is saying something.

-Brad OH Inc.

‘Fire Pro Wrestling World’ Review

Under the Green Desk Lamp…

Now that our novel ‘Edgar’s Worst Sunday’ is on it’s way to market, there’s only one sensible move to make. Official endorsements! Yup, that’s right—we’re selling out!

Well, we’re trying at any rate, but the offers are few and far between. So, this one’s a freebie.

Fire Pro Wrestling is a weird sort of series—easily cast aside for flashier, ‘official’ franchises by an undiscerning eye. For the most part, it’s based on Japanese wrestling companies (this new edition scored an official association with NJPW), or completely fictional characters. Furthermore, it’s a 2D game which looks like a very slightly updated version of the WrestleFest arcade game.

Beneath this surface simplicity however, there is a depth to Fire Pro that only a fanatical wrestling fan could ever begin to appreciate. For starters, it’s creative, or ‘edit’ mode is robust enough to allow every last wrestler one could ever dream of being in the game to be created to excellent likeness, with perfect move sets, and logic which ensures that when the CPU controls the character, they play and act just like their real-life counterparts.

The result is that with Fire Pro, you can have any sort of wrestling game you want—or all of them. The roster is limited only by your memory space and imagination, allowing for 1000s of unique wresters divided up into all the various leagues, federation, divisions, and categories you can hope for. Rings can be created as well, and with the increasing accessibility of the online community’s support, building these dream rosters has never been easier.

Fire Pro Wrestling World isn’t perfect, and the User Interface could certainly use a lot of work. Occasionally, it will force you to scroll through your list of wrestlers with no ability to sort them—just hundreds rolling by in one big list. It’s frustrating to say the least, and this is not the only such example of poor user design.

Nonetheless, this iteration of the long-loved franchise is likely to be the best and longest supported we’ll ever see. While this is particularly true of the PC version, which features a host of user-built mods to solve the problems Spike-Chunsoft cannot, my preference has always been console, and that’s where I’ll enjoy it for now.

While the PS4 community is growing slowly, and may never match that of the PC crowd, I’ve had little trouble finding very fine versions of most every wrestler, boxer, or UFC fighter I’ve wanted, and am left with little room for complaint.

In the end, Fire Pro Wrestling will remain a niche title. Not everyone will get past the dated look. The gameplay—which requires a greater sense of timing, skill, and knowledge of how to ‘work’ a wrestling match—can be a challenge to newcomers, but remains rewarding to vets who understand that wrestling matches are not just fights. This is the kind of wrestling game that includes a button to let your opponent pull off a move in order to get a better match going. I suspect it’s the only one of that kind.

Niche title though it may be, that niche is strong. It’s a game made by passionate people, and it inspires a passionate following. While other companies focus on picture-perfect graphics and flashy modes, with iterations every year trading one feature for another without ever really providing what the consumer wants, Fire Pro goes a different route. Fire Pro is about fun and creativity. It’s closer to a Lego set than a DVD. It lets you enjoy it in your own way, and find whatever you love about wrestling within its endless possibilities. Many people actually prefer ‘simming’—watching an entirely CPU controlled match—even more than they play.

I guess this isn’t really a review after all. Not in the traditional sense at any rate. It’s really more of a love letter. Fire Pro is an amazing series, and Fire Pro Wrestling World—despite it’s flaws—may be the crown jewel of that franchise. It is more accessible, has a better online community, and to put it simply, it’s endless fun.

Go buy it.

-Brad OH Inc.

The Canadian Juggalo Weekend

On the days of April 7th and 8th 2017, the Marquee Beer Hall in Calgary, Alberta was the scene of the first ever Canadian Juggalo Weekend. From all across this great northern nation and beyond, painted faces converged on Cowtown to revel in the frenetic madness that is the Juggalo world.

Featuring live JCW Wrestling, carnival freak shows, and countless live music acts including the likes of Swollen Members, Onyx, 2-Live Crew and the one and only Ice T, each night was capped off in the blaze of Faygo drenched glory that only the Insane Clown Posse can provide. Night one featured a cover to cover performance of their seminal album, ‘Riddle Box’, while night two featured a raucous ‘hits’ show—both with more than enough Faygo to drown several dunk-tank carnies.

As if that wasn’t enough, each night included an after party, which saw ICP back on stage again to play the Juggalo equivalent of an acoustic set (sans Faygo) of rarely played songs like ‘I Get Mad’, ‘Get Off Me Dawg’, ‘Falling Apart’, ‘Santa Claus…’, and ‘Everybody Rize’. Needless to say, this made quite the impression on the eager Juggalos in attendance.

Of course, like any event put on by Psychopathic Records, the main event highlight was the Juggalo Family itself. If Juggalos live up to their reputation as a wild and crazy bunch, so too do they stay true to their own creed as a supportive and inclusive group of nut-jobs who would be hard pressed to fit in anywhere else besides an event such as this. Playful chants, wild mosh pits, crowd-surfing wheelchairs, and a greater sense of kinship and camaraderie than you’ll find at most real family reunions made the weekend a special treat both for those long acquainted with the ICP and their Juggalos, and first-timers alike.

While far from an inclusive list, much love goes to our good friend Hal for showing the gumption to check the scene out, and to Rick and Kim for being such fine compatriots and outstanding representatives of the Juggalo world. Much love to ICP and all of Psychopathic Records for bringing their one of a kind madness to Canada.

For so many songs and memories I could never have anticipated, and will now never let go, much clown love goes to ICP, Psychopathic Records, and the entire Juggalo world.

-Brad OH Inc.

The Greatest Hits of Brad OH Inc.

cropped-cropped-blogbanner13.jpgHere at Brad OH Inc., we’ve been sharing regular content since late 2012, and over the years we’ve covered countless invaluable topics in great depth. In fact, there are now four distinct categories (Link) on offer for our readers—each with a unique voice and subject matter.

Today, we want to take the opportunity to review and revisit some of the very best articles we’ve put out over the years. Below, you’ll find our own personal Top 10 List, conveniently broken down by category. You can click the banner of each to go directly to that category, or you can click the title of each article to navigate there and read it in full.

 Under the Green Desk Lamp:

Green Desklamp

Bourbons by the Fire: A brief, stream of consciousness piece about vision and purpose. In this article, we explore the state of the world, and our individual power to change it.

Bullying in the Supermarket: This piece is an exploration of the culture of bullying, exploring the mixed messages of a world which tells children to be kind, while holding no such expectations for its adults, business leaders, or media.

Profits and Prophets: Over the past decade, many of the greatest disasters, losses, and threats we’ve faced have centered around two specific homonyms: Profits, and Prophets. We explore this notion here.

The Metaphorical Imperative- Part 1, and The Metaphorical Imperative- Part 2: The ‘Metaphorical Imperative’ is one of the most fundamental ideas behind Brad OH Inc., and will soon prove to be among the defining themes in one of our biggest upcoming projects. These two articles take an in-depth look at this essential philosophy.

 Purely Speculation:

purelyspeculation

On The Concept of Society: In this article, we establish and explore a basic understanding of society based on human history and contemporary needs. If we are to endeavour to consider changes to society, it is imperative that we first define our terms and understand exactly what we mean by the word.

Saving the World 101: How can we harbour hope for the future when the current situation often seems so dire? In this post, we discuss exactly what hope we may find for the future, and exactly what it would take to get us there.

The Global Scale: In ‘The Global Scale’, we pull our perspective back a bit to educate the reader about how interconnected the world truly is. If the decisions of one nation inevitably effect the rest, then we must take this global perspective into account any time we seek to make changes. Here, we reveal exactly what’s going on behind the scenes on the Global Scale, and exactly what sort of opposition the forces of progress are up against.

Requisite Things:

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 A Call for Corporate Suffrage: ‘Corporate Suffrage’—what two words could be more heinous and detestable to any sober mind? Unless of course that mind happens to be focussed on the profits of its own Corporation—in that case, Corporate Suffrage seems pretty damn agreeable.

The New Corporate Religion of Brad OH Inc.: Here, we use our trademark Corporate perspective to push the notion of ‘Freedom of Religion’ as currently defined to its most vile extreme—specifically, Corporate Religion.

Gentleman Juggalo:

The Gentleman Juggalo Logo

The Juggalo Gang Designation Essay: Juggalos—the fanatical fans of the Insane Clown Posse—have been labelled an organized, hybrid gang by the FBI. In this article, we take those tools to task—elucidating not only what a miscarriage of justice this action is—but also establishing it as an unforgivable misdirection from federal accountability.

Collectively, these articles cover a fine spread of what we’ve put on offer over the years here at Brad OH Inc., and while it is certainly important to celebrate the past, it must not be taken to mean we don’t look to the future. Therefore, we invite all of you to let us know in the Comments below what your favourite articles have been, which categories you prefer, or if you have any specific topics you’d like to see us cover. After all, here at Brad OH Inc., we live to please!*

*This statement does not necessarily reflect the thoughts or opinions of anyone at Brad OH Inc., and is not to be taken as legally, morally, or even tangentially binding.

-Brad OH Inc.

Advance Album Review: Kottonmouth King’s ‘Krown Power’

The Gentleman Juggalo LogoWhen I checked my inbox a few days back, I have to admit I was pleasantly surprised to find an invitation to review an advance-copy of the Kottonmouth Kings new album- ‘Krown Power’. A chance like this after only a few months actively reviewing albums? Nice work Fam!

The decision to seize the opportunity was immediate—after all, I’ve been a fan of the band since being introduced to their 2000 album ‘High Society’ via the ICP guest spot. Since then, I’ve followed the band’s unique sound—a psychedelic mix of hip-hop and punk rock—throughout their career. I’ve even had the pleasure of seeing them live on a number of occasions, including the Gathering of the Juggalos 2010 and 2012.

So there was no question about it—if I had the chance to review their new album ahead of its release date, I was jumping on the opportunity.

‘Krown Power’ will officially drop on August 28th, marking the band’s 14th studio album (EP’s and compilations bring the total significantly higher), which is a testament to their staying power to say the least. But that’s not all that’s interesting about this album.

KrownPower‘Krown Power’ will be available on August 28th.

Back in 2013, the band split from their long-time record label ‘Suburban Noize’ due to internal conflicts. A devastating challenge for any band, KMK took the split in stride, and went on to found their current label, ‘United Family Music’ in 2014. ‘Krown Power’ will be the band’s debut release on United Family Music, and also their first release since the departure of founding member Johnny Richter, who also left around the time of the Subnoize split.

With so much having changed, it’s only natural to feel some trepidation about what the future holds for this strange and undoubtedly pot-reeking crew of musical misfits. As it turns out, the future is not too dissimilar from the past, and that’s not such a bad thing either!

‘Krown Power’ is laced with all the familiar elements of a KMK release. The lead single ‘Ganja Glow’ would have no doubt sufficed to silence any doubts about the ongoing focus of the band. One thing is beyond question…KMK still love their weed. It’s been a cornerstone of the band since their days as the ‘Humble Gods’, and it remains the most consistent topic on ‘Krown Power’. In fact, they reinforce their heartfelt love of the herb on nearly every song, showing an impressive flexibility of praise that would be the envy of any proper ‘Worship Band’.

This is exhibited most succinctly in the penultimate song of the album, the aptly named ‘Mary Jane’. With echoes of the 2002 song ‘Rest of My Life’, ‘Mary Jane’ is undeniable proof that of all the countless artists who have ever proclaimed their own love to be the only one true and eternal, the love KMK have for the titular Mary Jane has stood the test of time far better than most.

Happily, the rest of the album doesn’t slouch either—despite the influence it was undoubtedly conceived under. Ranging from high-energy party songs like ‘Our City’ and ‘Fill Your Cup’, to the vintage sounding ‘Sink or Swim’, KMK show the sort of consistent diversity their fans have come to expect. ‘Fuck Off’ features the return of long-time collaborators Insane Clown Posse, with an opening verse by Shaggy 2 Dope which is sure to bring a nostalgic smile to the painted faces of any Juggalos listening.

Other standout tracks include ‘Pump up Da Bass’, ‘Don’t Feel Down’, ‘Ganja Glow’, and ‘Good Time Zone’—all but the last of which guest star the incredibly talented Marlon Asher. These tracks–and Marlon’s presence especially—bring a welcome reggae-influence to the album which is so perfectly fitting with KMK’s sound and passions that it seems a match made in reefer-heaven.

marlon-asherMarlon Asher adds to the album with his distinctive Reggae sound.

The kings would do well to hold onto this influence and make the most of his talents. And they may be—rumours circulate that Asher has been signed to the band’s nascent label ‘United Family Music’, but these remain unconfirmed at the time of press. Fear not however, Brad OH Inc. is currently working on an interview with the Kottonmouth Kings, and we’ll be certain to have more information for you about this promising new contributor once that drops.

At the end of the day, when you put on a KMK record you should have a pretty good idea of what you’re getting, and that remains true for their first release on ‘United Family Music’. If their storied love of pot has been of fairy-tale persistence, so too has their dedication to their particular craft. The reggae sound on this album works well for a more mature balance to the familiar themes, and results in an album which gives due reverence to the past, while also managing to remain focussed—albeit through blurry, bloodshot eyes—on the future.

-Brad OH Inc.

Fringe Fest Play Review- ‘Rigby Muldoon: Time Traveller for Hire’

cropped-cropped-blogbanner13.jpgLast Saturday I found myself skillfully navigating the crowded and popcorn reeking confines of the Edmonton Fringe Festival—lovely lady on my arm—in a hurried attempt to make it to the box-office in time. My friend Tom, the Stage Manager of the play I’d chosen to see, had advised me that advance tickets wouldn’t be strictly necessary, yet still an uneasy feeling mounted in my gut as I pushed through the mobs on the way to the PCL Studio Theatre.

As is often the case, my intuition had served me well—albeit late—and I arrived just in time to find the box office freshly out of tickets for ‘Rigby Muldoon: Time Traveller for Hire’. Damn my luck! What sort of fringe fest play sells out on its opening weekend?

Well, this one by all evidence. ‘Rigby Muldoon’ sold out its opening night in fact—and every other night since!

Written by Robyn Slack and directed by Olivia Latta, ‘Rigby Muldoon: Time Traveller for Hire’ is a noir-infused sci-fi comedy which tells the fascinating tale of aimless gamer-girl Annie Sinclair (Carina Morton), who is so desperate to undo the decisions of her past that she hires the services of the gritty and unabashedly noir-inspired time traveller: the titular Rigby Muldoon (Joshua Lee Coss).

Rigby And AnnieRigby Muldoon (Joshua Lee Coss) and Annie Sinclair (Carina Morton)

‘Rigby Muldoon’ was first test-read at Nextfest in June of this year, and only written in May. For such a relatively short turn-around time, the performance was impressively polished and professional—a 75 minute romp through time which brought consistent laughs to everyone in attendance.

While writer Robin Slack admits that the themes of the play are laid out on the table pretty early, the deft exploration of the subject matter keeps the audience guessing at several ongoing strands, while distracting like a skilled magician with a litany of jokes ranging from time-travel idiosyncrasies, to complex call back humour and even several plays at retro-inspired nostalgia (not limited to a Coolio reference!).

The tone of the show is unapologetic in its passionate dedication to what’s come before it—it’s innately chrono-conscious after all. The heavy noir imagery and attitudes manage to work incredibly well alongside the throwback video game references and 90’s irreverence which the cast find themselves mired in.

To give some context to the menagerie of mad settings and insightful writing you might find here, one stand-out scene involved a laser-tag shootout which served not only to make some key advances to the storyline, but also to utterly—and hilariously—tackle the concept of ‘trolling’. Take notes kids!

Of course, the humour isn’t limited to 90’s culture and unexpected twists: every facet of the stage design, costuming, and acting serves to solidify the intentionally overblown themes and self-aware quips. It seems at times that each scene might fit as well in a play of a totally different genre—but ‘Rigby’ is one of a kind!

In fact, as I sat watching the show in silent admiration, I realized how unsurprising it was that it had sold out every night it’s been put on. With its non-stop laughs and impressively subtle twists, it is the undeniable progeny of an unrestrained love for all things nerdy, coupled with an innate understanding of the fundamentals of good storytelling.

Group-1Left to Right: Laena Anderson, Robyn Slack, Joshua Lee Coss, Carina Morton

Speaking before the show with Writer Robyn Slack, I was assured that the play’s performance had exceeded his expectations. If so, he may be well-advised to broaden them before considering the next step for ‘Rigby Muldoon’. Its abundance of humour works on all levels while managing to make room for enough essential character building moments to keep the audience affectionately engaged throughout. My showing ended with an extended standing ovation from the sold-out crowd, and I can scarcely imagine the ending is much different no matter what night you attend.

As of the time of this posting, there are only two showings left of ‘Rigby Muldoon: Time Traveller for Hire’. You can catch it at the PCL Studio Theatre at the Edmonton Fringe Festival at the following times:

Saturday August 22nd – 8:45pm

Sunday August 23rd – 6:45pm

Just remember, unless you have the time-altering talents of the titular Rigby, you’d do well to learn from the mistakes of this writer and get your tickets in advance!

For More Info: Rigby Muldoon

-Brad OH Inc.