T.K. Boomer’s ‘Alpha Tribe’ Review

Today, we are taking moment to recognize the awesome work of our friend T.K. Boomer. T.K. recently released the second book in his Fahr Trilogy, ‘Alpha Tribe’.

-Click Here to Purchase your Copy-

Alpha Tribe is a wonderful sequel to the first book in the Fahr Trilogy, Planet Song. The contact between the Fahr and humans is as intellectually stimulating as it is entertaining, and the book’s fast-paced plot keeps the reader turning pages eager to learn more. Alpha Tribe builds well on the story-arc, adding in some fantastic surprises, and setting up for the eagerly anticipated third book of the Fahr Trilogy.

Learn more about T.K. Boomer here, and pick up a copy of Alpha Tribe here.

-Brad OH Inc.

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‘Flip the Rat’- Review

Last week, we reviewed ‘Fearless Fred Fury’, the fourth Joker’s Card of the Second Deck by the Insane Clown Posse. This week, we are exploring its companion EP, ‘Flip the Rat’.

Flip feeds off the fear instilled by Red Fred, and opens with a series of songs describing Fred’s character, and the destructive power of violent fury. These were perhaps attempts at album openers, eventually replaced by ‘Red Fred’ and ‘Fury’ as the Joker’s Card’s introductory songs.

They feature varied and interesting rap-styles, and one of the biggest disappointments of either album is that ‘Revenge’ was not a 6-minute song.

The middle section of the album features many of the ICP standards one might expect on a Joker’s Card—sex songs, shit-talking songs, and guest features.

‘Friend Request’ depicts terrible people reaching out for connection, putting a comical spin on the darker aspects of our world before calling these into a clearer focus and calling them out directly.

The fact that these standards appear on Flip is an obvious result of the more focussed nature of Fearless Fred Fury in both sound and tone.

-Click Here to Purchase the Album-

Moving into the final third of this impressively lengthy EP, ICP deliver some long and very interesting songs, exploring new territory and key connections to the main album alike.

‘Hawking’ in particular is an fascinating piece. Covering every imaginable conspiracy theory about controlling groups and lack of hope—this song takes the idea behind FFF’s ‘Satellite’ and Flips it on its head. The songs compliment each other well, showing us that when looking at the big picture, the lens makes all the difference. While ‘Satellite’ looks at the wonder of being alive and gives a sense of unlimited potential, ‘Hawking’ looks at the paralyzing fear of feeling out of control and victimized.

‘Tha Dogg’ is a gritty rocker of a song, telling the story of an abused child growing up to seek violent revenge on his parents, and anyone else in his way.

Either of these two songs may have found a place on the main album—perfectly capturing the precipitous balance between taking actions to change your life, and losing yourself to violence and self-loathing.

The EP closes with ‘Be Safe’, a love song to Juggalos and to each other. It’s an anthemic ode to friendship, love, and togetherness, stressing the importance of key connections in life, and driving home the wisdom of eschewing the dangers and violence depicted throughout the preceding albums.

In a particularly moving moment, J gives a shout out to Cannibal, a Juggalo who died in 2015 defending a mother and her infant child from a violent mugger.

It’s a testament to the beauty of life, and all the things that can keep us from the self-loathing and desperation the rest of the albums take aim at. It’s a fitting ending to the series, and show the importance both of Flip the Rat as a balancing companion to Fearless Fred Fury, as well as the import of the decision to close FFF with ‘I Like it Rough’ rather than ‘Be Safe’.

Taken as a whole, ‘Fearless Fred Fury’ and ‘Flip the Rat’ cover a lot of ground, and work in tandem to present a compelling perspective on self-efficacy and empowerment, contrasted with the desperate, violent, and loathsome results of a failure to appreciate them.

It’s a powerful Joker’s Card and EP combo, and heralds a thrilling era that brings back much of the anger and hard-hitting tracks that some Juggalos have felt were lacking on previous albums. It goes all-in, and gets pretty dark at times, but as is the case with most Joker’s Cards, it has a crucial thread of positivity and appreciation sewn throughout for those who care to search.

665!

-Brad OH Inc.

(Schisobe)

‘Fearless Fred Fury’- Review

When I was just a young Juggalo, there was one expression beyond all others I truly could not stand. “Life’s not fair,” would be my father’s familiar refrain whenever I fell into complaining about some perceived slight or rejection. When I grew older however, I understood the wisdom behind it. There’s no use complaining about things beyond our control—better to focus on the things you could change.

Sometimes life was unfair—would that make you bitter and hateful, or would adversity help you grow stronger?

The same questions are the driving force behind ‘Fearless Fred Fury’ (FFF), the new album from the Insane Clown Posse, and the Fourth Joker’s Card of the Second Deck. FFF is a being of toxic anger, punishing souls who fail to live with dignity—those who put off all responsibility for their life, and feed on blame and resentment.

Fred’s job is to avenge the bitter dead—doling out punishment to the recently deceased who have wasted their lives with impotent complaining to the chagrin of the dead who had no more opportunities to waste. The message behind this Joker’s Card is ‘Fite Back’—but how to do that is a concept explored throughout the card and its companion EP, ‘Flip the Rat’—which we’ll review next week.

Fred’s targets are those who blame fate, whine about poor luck and unfair circumstances, and take no control over their own lives. The dead are angry, and Fred is ready to punish such people. Flip meanwhile, feeds off the fear instilled by Fred. Together, they encourage the living to fight back against whatever is holding them back and find their true power and passion.

Anger is a funny thing however, and with the Wicked Clowns established approach of showing the good by shining a light on the bad, we are left with a strange dichotomy between wasting your life in sorry resentment, and the equally dangerous path of falling into toxic anger and destructive rage.

-Click Here to Purchase the Album-

This balance is defined clearly in the intro song for the character, ‘Red Fred’, which describes Fred’s anger towards those who never took control of their own lives, and the destructive power of fury.

… YES! Fred’s the revenge you never got…
NO! Fred’s all your dignity shot…
YES! Fred’s all the drive you didn’t know…
NO! Fred will burn these into your soul…

The album has an unusually personal aspect to it, as its long production time was marred by delays, and fuelled by the toxic anger of Violent J as he dealt with the loss of album mates and betrayals he struggled to process. There is a sense that the album started off as a pure revenge piece—focussed on violence and hatred, but morphed into something more nuanced and deep as J himself slowly processed his anger and put it in its proper place.

While songs like ‘Fury’ and ‘West Vernor Ave.’ tell stories of violent revenge and fury turned into violence, others stand on somewhat higher ground. ‘Satellite’, for instance, starts off with the quote,

“Your life sucks, is that what you said man?

Try and tell that to a dead man.”

The song is an important reminder of the better things in life, and the beauty of simply being alive. It encourages us to putt off bitterness and revenge, trading those for an appreciation of life and a determination to make the most of our opportunities.

The song creates a fascinating contrast with a song from Flip the Rat, ‘Hawking’, but we’ll talk more about that in next week’s review.

This sentiment repeats in songs like ‘Freedom’, which reminds us that we are free to live any way we want—that the world is truly ours.

These are exceptions however, and the majority of FFF is spent on toxicity and the impacts thereof. ‘Game Over’, ‘Low’, and ‘Hot Head’ tell the stories of people lost to the world due to their own resentment and fear, while ‘Nobody’s Fault’ drives this theme home by describing the horrendous impacts of such withdrawal from society, while reminding us of the source of this suffering: ‘it’s nobody’s fault but mine’.

‘Night of Red Rum’ provides a murder-fuelled horror story that may settle among some of ICP’s best of that particular topic, while ‘Shimmer’ is a ghost-story that may claim the same.

The penultimate song on the album, ‘Beware’ is a warning—a disclaimer of sorts about the disturbing content of the final song. It challenges the listener to make a choice whether to proceed or not. It’s a bit of a ‘Choose Your Own Adventure’ approach, and sets up a fascinating ending to the album.

Not unlike the choice between the 6th Joker’s Cards of the first deck, ‘The Wraith’, which encouraged us to choose between ‘Shangri-la’, which was for the special few, and ‘Hell’s Pit’, which was for the many.

FFF closes with ‘I Like it Rough’, a depraved exploration of sexual violence and control—the noxious ending of a life defined by bitterness, rage, and resentment for society coupled with a lack of personal agency and responsibility.

It’s a dismal ending, focussed on mutual pain and suffering, with no hope at all offered within. This is an interesting and novel approach by ICP—as the vast majority of their albums end on a positive note encouraging us to appreciate what we have, love those deserving, and move beyond that which hurts us.

Nothing of the sort here—suffering and pain are the only offerings of the closing track, which is a fitting cap on an album driven primarily by themes of toxic anger and isolation. The right choice—perhaps, would be to obey the warning, and stop the album at ‘Freedom’—a more classically fitting end-point.

Of course, then we’d miss out on this powerful statement on toxicity—which the album did so much to establish.

Ultimately, the album makes it clear that life truly isn’t fair. There are moments when we’ll feel betrayed, forgotten, or unappreciated, and most likely, they’ll happen again and again.

It also tells us that it is only ourselves who can dictate our reactions to these setbacks—and reminds the listener to avoid falling into isolation and resentment, all while displaying the dangers of toxic anger and violence.

It’s a more layered theme than many of their efforts, and pays off with a strong sense of style and consistency. Ultimately, ‘Fearless Fred Fury’ is a terrific addition to the Dark Carnival saga, and Juggalos around the world are slathering over this new era of energy, empowerment, and a return to the classic ‘wicked shit’ of old.

Fite Back!

-Brad OH Inc.

(Schisobe)

Unabashed Self-Promotion—A Contest!

Well, after many long years of dreaming, I finally got ‘that’ moment. I walked into a bookstore, and found my own book on the shelf!

Needless to say, it was an awesome experience.

I’ve also seen pictures of it in familiar bookstores from around the country, and I’m beginning to think it’s something that won’t get old.

So, today’s post is a call to action. Please, if you see Edgar’s Worst Sunday for sale in a bookstore near you, take a picture and send it to me here. Let me know where it’s from, and I’ll share it proudly.

Every bit of support is appreciated, and taking photos isn’t the only way you can help. But everyone knows, help does not come cheap, so I’m happy to make this a bit more interesting.

Below is a list of small actions you can take to help Edgar’s Worst Sunday reach as many readers as possible. For anyone willing to take part in any and all—with evidence for the review—you can contact me here to be entered into a draw for a free signed copy of Edgar’s Worst Sunday!

How you can help out:

  • Send in pictures of Edgar’s Worst Sunday in stores—or with your own copy.
  • Share links to my posts about Edgar’s Worst Sunday on social media. Or even better—talk about it in person.
  • If you know a professional reviewer, ask if they’d be willing to do a review—copies can be provided.
  • Better yet, skip the pros and do it yourself—
  • THIS IS THE MOST IMPORTANT. Every review on Amazon.com makes a big difference—and this one is required for entry into the draw. All other review sites, or shares on Goodreads.com, etc. are also appreciated!

That’s it! Those small tasks could help out immensely, and win you not only a world of gratitude from yours truly, but also enter you into the draw to win your own signed copy. The draw will be held on Dec. 16th—so get those reviews in to win your personalized copy! Want a dedication? You got it. Want a poem, haiku, or ad-lib homily about your endless generosity? Just ask!

Now that Edgar’s Worst Sunday is available everywhere, I’ve been absolutely touched by the excitement and support I have and continue to see. It means a lot.

Thanks to all,

-Brad OH Inc.

A Huge ‘Thank You’ from Everyone at Brad OH Inc.

Last Sunday, Nov. 4th, I held the official launch party for my novel, ‘Edgar’s Worst Sunday’. At the Tavern on Whyte, I shared laughs and stories with old friends and new, readers and writers, family and locals as we celebrated this incredible moment for myself, and for Brad OH Inc. To everyone that was there, I want to extend my most sincere thanks.

As mentioned, the book is now available on Amazon, at Chapters, and wherever you get your books. I also have a few copies remaining to sell, so if you’re local give me a shout and I can get a copy to you, as well as an autograph if you’d like.

For those of you who have grabbed your copies, if you’d be willing to leave a review on Amazon.ca, Amazon.com, and/ or Goodreads.com, my gratitude would be all the greater. These reviews really help increase the book’s standing, and allows it to become a recommended purchase.

Once more, thanks to everyone who has shown me love and support in this thrilling time. As I said in my speech, I’ve been truly humbled—and if you know me, that really is saying something.

-Brad OH Inc.

‘Fire Pro Wrestling World’ Review

Under the Green Desk Lamp…

Now that our novel ‘Edgar’s Worst Sunday’ is on it’s way to market, there’s only one sensible move to make. Official endorsements! Yup, that’s right—we’re selling out!

Well, we’re trying at any rate, but the offers are few and far between. So, this one’s a freebie.

Fire Pro Wrestling is a weird sort of series—easily cast aside for flashier, ‘official’ franchises by an undiscerning eye. For the most part, it’s based on Japanese wrestling companies (this new edition scored an official association with NJPW), or completely fictional characters. Furthermore, it’s a 2D game which looks like a very slightly updated version of the WrestleFest arcade game.

Beneath this surface simplicity however, there is a depth to Fire Pro that only a fanatical wrestling fan could ever begin to appreciate. For starters, it’s creative, or ‘edit’ mode is robust enough to allow every last wrestler one could ever dream of being in the game to be created to excellent likeness, with perfect move sets, and logic which ensures that when the CPU controls the character, they play and act just like their real-life counterparts.

The result is that with Fire Pro, you can have any sort of wrestling game you want—or all of them. The roster is limited only by your memory space and imagination, allowing for 1000s of unique wresters divided up into all the various leagues, federation, divisions, and categories you can hope for. Rings can be created as well, and with the increasing accessibility of the online community’s support, building these dream rosters has never been easier.

Fire Pro Wrestling World isn’t perfect, and the User Interface could certainly use a lot of work. Occasionally, it will force you to scroll through your list of wrestlers with no ability to sort them—just hundreds rolling by in one big list. It’s frustrating to say the least, and this is not the only such example of poor user design.

Nonetheless, this iteration of the long-loved franchise is likely to be the best and longest supported we’ll ever see. While this is particularly true of the PC version, which features a host of user-built mods to solve the problems Spike-Chunsoft cannot, my preference has always been console, and that’s where I’ll enjoy it for now.

While the PS4 community is growing slowly, and may never match that of the PC crowd, I’ve had little trouble finding very fine versions of most every wrestler, boxer, or UFC fighter I’ve wanted, and am left with little room for complaint.

In the end, Fire Pro Wrestling will remain a niche title. Not everyone will get past the dated look. The gameplay—which requires a greater sense of timing, skill, and knowledge of how to ‘work’ a wrestling match—can be a challenge to newcomers, but remains rewarding to vets who understand that wrestling matches are not just fights. This is the kind of wrestling game that includes a button to let your opponent pull off a move in order to get a better match going. I suspect it’s the only one of that kind.

Niche title though it may be, that niche is strong. It’s a game made by passionate people, and it inspires a passionate following. While other companies focus on picture-perfect graphics and flashy modes, with iterations every year trading one feature for another without ever really providing what the consumer wants, Fire Pro goes a different route. Fire Pro is about fun and creativity. It’s closer to a Lego set than a DVD. It lets you enjoy it in your own way, and find whatever you love about wrestling within its endless possibilities. Many people actually prefer ‘simming’—watching an entirely CPU controlled match—even more than they play.

I guess this isn’t really a review after all. Not in the traditional sense at any rate. It’s really more of a love letter. Fire Pro is an amazing series, and Fire Pro Wrestling World—despite it’s flaws—may be the crown jewel of that franchise. It is more accessible, has a better online community, and to put it simply, it’s endless fun.

Go buy it.

-Brad OH Inc.

The Canadian Juggalo Weekend

On the days of April 7th and 8th 2017, the Marquee Beer Hall in Calgary, Alberta was the scene of the first ever Canadian Juggalo Weekend. From all across this great northern nation and beyond, painted faces converged on Cowtown to revel in the frenetic madness that is the Juggalo world.

Featuring live JCW Wrestling, carnival freak shows, and countless live music acts including the likes of Swollen Members, Onyx, 2-Live Crew and the one and only Ice T, each night was capped off in the blaze of Faygo drenched glory that only the Insane Clown Posse can provide. Night one featured a cover to cover performance of their seminal album, ‘Riddle Box’, while night two featured a raucous ‘hits’ show—both with more than enough Faygo to drown several dunk-tank carnies.

As if that wasn’t enough, each night included an after party, which saw ICP back on stage again to play the Juggalo equivalent of an acoustic set (sans Faygo) of rarely played songs like ‘I Get Mad’, ‘Get Off Me Dawg’, ‘Falling Apart’, ‘Santa Claus…’, and ‘Everybody Rize’. Needless to say, this made quite the impression on the eager Juggalos in attendance.

Of course, like any event put on by Psychopathic Records, the main event highlight was the Juggalo Family itself. If Juggalos live up to their reputation as a wild and crazy bunch, so too do they stay true to their own creed as a supportive and inclusive group of nut-jobs who would be hard pressed to fit in anywhere else besides an event such as this. Playful chants, wild mosh pits, crowd-surfing wheelchairs, and a greater sense of kinship and camaraderie than you’ll find at most real family reunions made the weekend a special treat both for those long acquainted with the ICP and their Juggalos, and first-timers alike.

While far from an inclusive list, much love goes to our good friend Hal for showing the gumption to check the scene out, and to Rick and Kim for being such fine compatriots and outstanding representatives of the Juggalo world. Much love to ICP and all of Psychopathic Records for bringing their one of a kind madness to Canada.

For so many songs and memories I could never have anticipated, and will now never let go, much clown love goes to ICP, Psychopathic Records, and the entire Juggalo world.

-Brad OH Inc.