Wicked Juggalo Podtrash

As the more astute among you may have figured out, ‘The Gentleman Juggalo’s’ hiatus is seeming mighty permanent these days, but that doesn’t mean that Brad OH Inc. is out of the Podcast game completely.

Not by a longshot.

In fact, my recent appearance on the amazing ‘BoomBastiCAST’ Podcast has led to the creation of a new show with my friends Mathew and Kandis at ‘Wicked Juggalo Podtrash’. Connecting virtually, the three of us come from far away locations and different eras in ICP’s long and storied history. I think this adds a unique spectrum of voices and opinions as we discuss recent Juggalo releases, news, and whatever the fuck else happens to come up.

It’s been a blast recording it so far, and I hope that my readers, new Juggalos, and other curious parties enjoy it as much as I have.

Check us out here for all the latest Podcast drops and other news.

MCL,

-Brad OH Inc.

(Schisobe)

‘Yum Yum Bedlam’- Review

The past few months have been a rollercoaster for the Juggalos—and that’s not meant to be a carnival joke. Back in October of 2020, during one of the Patreon streams they hosted to stay engaged during the pandemic, ICP announced that their next Joker’s Card, ‘Yum Yum Bedlam’, would be released on Christmas Day of that year.

There was much to be excited about. Not only is the release of a new Joker’s Card a momentous event for any Juggalo—as evident in our previous reviews, such as that for the most recent Joker’s Card, Fearless Fred Fury—this was to be the first female Joker’s Card, and wild speculations abounded.

The fifth card of the second deck, Yum Yum Bedlam (YYB) was said to be about loyalty. YYB represented temptation, and all the lurid things which drive us away from what really matters. It was a fascinating concept, fitting in well with the more individual morality-based themes of the second deck.

Loyalty has been a significant topic at Psychopathic Records as well, with the departure of several acts still looming large. Further, Violent J’s recent breakups hang over the album, promising a personal touch to the themes of betrayal, loss, and seduction.

As the first female Joker’s Card, the album also holds an important role for the Juggalette community. While ICP have been accused of misogyny over the years, their countless female fans would be quick to challenge those assumptions, rallying behind the inclusivity most often discussed in relation to the Juggalo family. With a female Joker’s Card, ICP would have a great opportunity to explore those themes and more.

Christmas came and went however, and while this writer certainly hopes that all the Juggalos and Juggalettes shared some wonderful memories and got some memorable gifts, Yum Yum was not among them.

On February 17th of 2021—colloquially known as Juggalo Day—ICP released Yum Yum’s Lure, a teaser EP for the perpetually delayed Yum Yum Bedlam.

As the year wore on, news came at the Gathering of the Juggalos that Violent J was suffering heart problems, and ICP would soon have to step back from their regular schedule. The details of that announcement are covered here.

Finally, it was announced that YYB would make its long-awaited debut on Halloween night, 2021. This time, the Clowns didn’t disappoint.

-Click Here to get your copy of ‘Yum Yum Bedlam’-

Yum Yum Bedlam arrived—almost a year late—and the Juggalo world was more than ready. As is my custom, I listened the first time in the dark, with a good pair of headphones and my expectations soaring.

The first thing that jumped out was the arrangement. YYB didn’t follow the Joker’s Card prototype of Intro song, Character song, then shit-talking song before moving into sex songs, ghost stories, and other Juggalo staples.

The Intro—a well-performed ambience and voice piece followed by eerie chanting to reinforce the character—was followed by a high-energy, classic sounding song, ‘Here Comes the Carnival’, which was deceptive in its sound. The happy vibes and bouncing rhythm did nothing to betray the dark undertones of the lyrics, which described people being maimed and killed at a violent, destructive carnival ground.

While the content itself is fairly typical fare around here, the discordance between the content and sound felt fitting given the themes of temptation, betrayal, and deception woven into the album. After a few spins of the album, this song strikes me as one of the most important on the record, which will be expanded on later.

‘Wretched’ is one of the more heinous tracks they’ve recorded in a while content-wise, while ‘Clown Drippin’ is a fun if content-light comedy song. On an album with a more traditional arrangement for the Clowns, this might have fit as a more typical third track shit-talk type song, but YYB is not a traditional sort of album.

‘Gangsta Codes’ is a classic ICP story song, with a message similar to some of their older material, such as the classic, ‘Murder Go Round’.

In ‘Queens’, ICP pull no punches in addressing directly and without the cover of heavy metaphor the thematic question many Juggalos assumed had to be addressed on this album. As the first female Joker’s Card, what did it have to say about relationships in general, especially given J’s recent struggles?

It proves to be a refreshing take, delivering on ICP’s astute moral insight and—to those less familiar—surprisingly progressive outlook. The song reminds the listener to cherish their loved ones, and those who help increase their shine, or risk the brutal pain of loss.

‘Panic Attack’ covers familiar ground for J, but does so with an energy that’s reminiscent of songs from two decades ago or more. While Shaggy arguably remains the standout on the second deck, J has shown up with a new fire. His choruses are better, his screams are louder, his lyrics are more creative and on-point. It reads like a good sign for the beleaguered Violent J, and perhaps if he doesn’t yet have his demon’s conquered, they may be well corralled.

A special mention must go out to Richard Cheese for his contribution to the outro of this song. His lounge-style crooning of ‘Fuck the World’ from the original fifth Joker’s Card is a hilarious touch.

‘Fuck Regret’ turns the tone of the album towards a forward-looking perspective, while ‘Insomnia’ takes a trippy journey through the titular struggle. Part way through the song, the beat changes and the song slips into a more psychedelic beat calling back to the classic song ‘Joke Ya Mind’. This mid-song tonal shift is employed several times throughout the album, and felt like a return to the longer, more committed approach to songs of old.

While ‘Heart and Soul’ continues with the more encouraging message that permeates the album, ‘The Drunk and the Addict’ is a surprisingly personal tune, with both J and Shaggy being comedically direct about their addictions—past and present. This impressive song continues the trend of being more honest about themselves in the second deck of Joker’s Cards, which treats J and Shaggy more as real people—as Joe and Joey—then as the cartoon characters they often portrayed in the original six.

We’re around two thirds through the album now, which is an interesting time for a Joker’s Card character song to turn up, but ‘Don’t Touch that Flower’ is exactly that. With a bouncy hook and catchy refrain throughout, is does a fine job of furthering the story of the Yum Yum Flower.

It occurs to me at this point that more than any other album, this has been reminding me of ‘The Wraith: Shangri-La’. The unusual arrangements, rich and varied sounds, bombastic energy, and enduring positivity brings a similar vibe to that essential Juggalo classic.

‘The Joksta’ brings us back to more humourous, light-hearted trash-talking, with a subtle approach to examining our inner nature that brings a darker subtext to the song. That’s contrasted perfectly by ‘Bitch I’m Fine’, which hilariously describes the endless maladies the aging duo claim to have suffered, then breezily brushing it off with a playful chorus boasting the track-title.

As the album approaches it’s long close—this happens to be the longest Joker’s Card by several minutes—the song ‘Carnival of Lights’ brings us to an unexpected high-point. With an inviting description of the inclusivity inherent to the Juggalo world, the song assures the listener that they have a perfect place within the embrace of the Carnival. With it’s equally catchy music, this song forms a beautiful counterpart to the similarly titled second song, ‘Here Comes the Carnival’. Both invite the listener to a Carnival with high-energy beats and pleading voices. Both have a positive sound and an invasive beat, but what each deliver couldn’t be more different. While the earlier song grants only pain and loss, ‘Carnival of Lights’ brings us love, inclusion, and unconditional support. This stark dichotomy is reminiscent of the side-opening tracks from YYB’s sister album, ‘The Amazing Jeckel Brothers’, which were positive and negative versions of the same song, titled ‘Jake Jeckel’ and ‘Jack Jeckel’ respectively.

It’s a timely and well-appreciated reminder that love is a two-sided coin, and while there’s a lot of pain and hurt in the world if we aren’t careful, there are also brilliant joys and experiences which can make all the rest worth it if we can only achieve them.

The penultimate ‘Ain’t No Time’ gives us a deep look into some of Violent J’s inner turmoil, and delivers in spades. It’s a touching, brutal song that reminds us of the journey the album has taken us on before ushering us into the finale, ‘Something to See’.

This song explores the idea of what a person might choose as their last vision before going blind, and reminds us of the countless treasures there are in the world if we can only shake off the temptations that blind us. The chorus concludes that the Juggalos, live at a show, would be the greatest sight to choose.

It’s a love letter to the family, and a fine closing to an impressive album.

The mastering on the final song seems a bit off, but the rest of the album sounds consistently fantastic, especially the notable return to basslines that have some kick to them.

I’d be remiss to not mention the ubiquitous producer tags throughout. It seems like a modern trend that can’t be avoided, and while they didn’t ruin my experience the way some listeners say they did, it can hardly be denied that tags on every song—and sometimes two on one song—feels like overkill.

In the end, ‘Yum Yum Bedlam’ is a fantastic release. ICP have really improved their chorus game on this album once again, and whether they’ve nailed the perfect balance themselves or just knew when to bring in assistance, there isn’t a single tacky chorus on the album.

YYB may be one of the most impressive albums the Clowns have released since 2009’s ‘Bang Pow Boom’, and sets up for the next sixth Joker’s Card perfectly.

That’s still good while away though, as the liner notes of YYB confirm earlier announcements that this will be the most heavily supported album yet. In addition to the preceding ‘Yum Yum’s Lure’ EP, three more EP’s will follow. The booklet announced the dates and names of each, and is shown below.

-Click Here to get your copy of ‘Yum Yum Bedlam’-

Yum Yum Bedlam’ is still fresh, but in many ways it already feels like a classic. While years of repeat listens will be the only way to fully appreciate the depths of the album and reveal its final place in the story, its’ quality, intrigue, and plain old fun mean those listens will be an absolute treat.

Yum Yum.

-Brad OH Inc.

(Schisobe)

Guest Appearance on the BoomBastiCAST Podcast!

Guest Appearance on the BoomBastiCAST Podcast!

Just when you thought our days of casting pods were over, we’re here to prove you wrong! While the official Gentleman Juggalo podcast does remain on hiatus, I have a guest appearance this week on the ever stellar ‘BoomBastiCAST’ podcast.

BoomBastiCAST covers all things pop culture, and is hosted by my friend—and fellow Juggalo for life—Mathew Fisher. On this episode, he hosts myself and our friend Kandis to discuss the new ICP album, Yum Yum Bedlam. Click Here to listen now.

That’s not all though—check right back here in two weeks for the official Brad OH Inc. review of Yum Yum Bedlam.

Until then, stay down, much clown love!

-Brad OH Inc.

(Schisobe)

Re-Share: There Are Clowns?

The Gentleman Juggalo LogoToday, I’m re-sharing an old favourite of mine. The harmless clowns may not be showing up these days, but the dangerous ones are still out there. Can you recognize them?

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There are Clowns,

Among the trees,

In fields and bushes,

Where nobody sees. 

There are Clowns,

Out for the young,

Bent on killing their songs,

Long before they are sung.  

There are Clowns,

Outside of the school,

Their hellish grins asking,

Just who is the fool?

But there are Clowns in police cars,

And Clowns in the courts,

Clowns on the TV,

Reading news reports.

There are Clowns on the left,

And Clowns on the right,

Clowns that will lie to you,

Or tell you to fight.

 There are Clowns in the papers,

And Clowns at the prow,

Of our ship as we ponder,

Where we’re to go now.

There are Clowns who will promise,

Everything is fine,

And Clowns who will tell you,

Not to waste your time.

Clowns that will claim,

It’s all under control,

But those Clowns are demure,

When it’s time to console.

There are Clowns on the streets,

Clowns under our beds,

Clowns running our countries,

Clowns filling our heads.

Yes there are Clowns,

In all sorts of places,

But the Clowns I fear most,

Do not paint their faces.

 This poem was inspired by the recent ‘Time’ Article by Violent J, which you can read here (Link).

 -Brad OH Inc.

The Wagons Roll On

In early 2020, fear and confusion swept the globe, and everyone grasped desperately for direction as the COVID crisis spread. Large touring groups and festivals were in an especially difficult spot, forced between risking the health of crew and fans by remaining open, or sacrificing significant money by pulling the plug too early.

Many were surprised when the Insane Clown Posse were among the first voices of reason—cancelling their long-standing annual Gathering of the Juggalos pre-emptively in the interest of keeping their fans safe.

So, when ICP announced in 2021 that the Gathering would be coming back in August, the Juggalos were rightly eager to return to their favourite place, their family reunion—or as most of them would call it, home.

It was with this spirit of renewal that the 2021 Gathering of the Juggalos began, but it took little time for an unexpected change to call all of that into question. During the ICP seminar—an annual ‘State of the Family’ address made by ICP to the Juggalos in attendance—Violent J dropped a bombshell on the crowd. He’s been suffering with heart failure, and would need to step away from full-time touring in the near future.

Although the band promised a worldwide farewell tour, and to continue annual events, the Juggalos—in attendance and following around the world—were understandably devastated. While the news wasn’t all bad—it’s not a fatal condition, and can be managed—it represented to many a loss greater than regular concerts.

To anyone in attendance, and countless Juggalo the world over, the Insane Clown Posse means more than music or shows. Concerts and Gatherings aren’t just parties, they’re an opportunity to get together with like-minded people. For many, it’s a chance to feel at home that is rarely afforded elsewhere in life.

Whatever the path people take to embrace ICP and call themselves a Juggalo, what they find in the carnival grounds tends to be defined by a pervasive sense of community, understanding, love, and unconditional acceptance. The Dark Carnival is a deliverance from a world that might otherwise be cold and cruel, and a chance to speak up against the hate that pervades other communities. As such, any ICP event thusly becomes a sort of baptism by Faygo—a cleansing, rejuvenating experience.

To be sure, this world has grown beyond the wildest dreams of ICP, and the Juggalos have long been hailed as the main attraction at any ICP event. Nonetheless, at the head of this strange menagerie since the beginning have been ICP themselves—Shaggy 2 Dope and Violent J. Together, the two of them created a musical saga like no other in history, and built a refuge for weirdos, freaks, and loners in the process.

Their music has been the soundtrack to countless lives, and it is their constant hard work, planning, and creativity that have provided the backdrop of many Juggalo’s favourite memories.

To have this change is a scary thing, and worse yet is the fear over one of the beloved band members—Violent J. But while a ‘Farewell Tour’ sounds like the end, the band have promised ongoing activities, and increased musical output. Since the early 90’s, ICP have boldly claimed that, ‘the wicked clowns will never die’, and their ongoing determination to carry on the best they can and deliver for the Juggalos lends credence to that boast.

Still, many wait anxiously to see what the future holds. Change is never an easy prospect, and loss is far worse.

So, uncertainty prevails for now, and we all hold our breath and hope for the best. Until then, this Juggalo remains eternally thankful for the journey so far, and eager for the rest as the wagons roll on, wherever they may go.

-Brad OH Inc.

The Gentleman Juggalo: The Wraith: Hell’s Pit

The Gentleman Juggalo Podcast just released its ninth episode, ‘The Wraith: Hell’s Pit’. We’re also happy to share that ‘The Gentleman Juggalo’ is now available on Spotify!

In this episode of The Gentleman Juggalo, Brad and Scott discuss the second half of the sixth Joker’s Card, The Wraith’s exhibit of Hell’s Pit. They discuss a return to ‘insanity’, what makes ICP work for Scott, and request input from listeners about what they’d like to hear going forward.

Check it and other episodes out at The Gentleman Juggalo!

mcl,

-Brad OH Inc.

The Gentleman Juggalo: The Wraith: Shangri-la

The Gentleman Juggalo Podcast just released its eighth episode, ‘The Wraith: Shangri-la’. We’re also happy to share that ‘The Gentleman Juggalo’ is now available on Spotify!

In this episode of The Gentleman Juggalo, Brad and Scott discuss the first half of the sixth Joker’s Card- The Wraith’s exhibit of Shangri-la. They discuss Brad’s first Gathering, why Scott isn’t a Juggalo, and ask listeners for their stories about hearing The Wraith for the first time.

Check it and other episodes out at The Gentleman Juggalo!

mcl,

-Brad OH Inc.

The Gentleman Juggalo: The Amazing Jeckel Brothers

The Gentleman Juggalo Podcast just released its seventh episode, ‘The Amazing Jeckel Brothers’. We’re also happy to share that ‘The Gentleman Juggalo’ is now available on Spotify!

In this episode of The Gentleman Juggalo, Brad and Scott explore the fifth Joker’s Card, The Amazing Jeckel Brothers. They discuss the ongoing Joker’s Card saga and speculate on what’s to come, while Brad talks about how he got into ICP, and Scott explains why 1999 was the downfall of humanity.

Check it and other episodes out at The Gentleman Juggalo!

mcl,

-Brad OH Inc.

The Gentleman Juggalo: The Great Milenko

The Gentleman Juggalo Podcast just released its fifth episode, ‘The Great Milenko‘. We’re also happy to share that ‘The Gentleman Juggalo’ is also available on Spotify!

In this episode of The Gentleman Juggalo, Brad and Scott listen to fourth Joker’s Card, The Great Milenko. They explore the impact of signing with Disney, demonic visitations, and a key turning point in the Dark Carnival mythology.

Check it and other episodes out at The Gentleman Juggalo!

mcl,

-Brad OH Inc.

The Gentleman Juggalo: The Riddlebox

The Gentleman Juggalo Podcast just released its fifth episode, ‘The Riddlebox‘.

In this episode of The Gentleman Juggalo, Brad and Scott explore the third Joker’s Card, the Riddle Box. They say farewell to the old ways, describe Brad’s favourite scar, and discuss a potential death on a boat.

Check it and other episodes out at The Gentleman Juggalo!

mcl,

-Brad OH Inc.