Interview with ‘Edmonton: Unbound’ Author M. Lea Kulmatycki

Today, the Edmonton Writers’ Group is happy to share that our new anthology, Edmonton: Unbound, is now available for purchase in the giftshop of the Muttart Conservatory.

But wait, there’s more! Author’s of Edmonton: Unbound will be at the ‘Poets and Writers Networking Event’ on April 6th from 6:00-9:00pm at the Strathcona Place Centre, 10831 University Ave, Edmonton, AB.

We’ll be there to network, sell, and even sign books. So be sure to stop by, enjoy the event, and grab a copy of Edmonton: Unbound if you haven’t managed to do so yet.

Edmonton: Unbound’ contains fourteen stories by twelve members of the Edmonton Writers’ Group.

They are unified only by the common theme of their current hometown, Edmonton, AB. Ranging from simple domestic interactions, to futuristic sci-fi adventures, to deep psychological introspections, these stories take a look at Edmonton from viewpoints as different as the writers themselves. This anthology is a love letter to our hometown, and demonstrates our incredibly varied approaches to literature, and to life.

As a gesture of our gratitude, all proceeds from the sales of this book will be donated to the Edmonton Public Library, which has been gracious enough to host our humble group at the Capilano branch for over a decade and a half.

Click the Image to buy ‘Edmonton: Unbound’

To celebrate the upcoming event, we have an interview with one of the ‘Edmonton: Unbound’ authors, and the creator of our cover art, M. Lea Kulmatycki.

1. What was your initial inspiration for the story you included in this anthology, and how the story changed from its original conception?

Lea Kulmatycki: My brother worked as a day camp leader one summer during high school. One of the most difficult aspects of his job was getting his little campers on and off the bus at the same time. I never had this problem because the day camp I worked at was within walking distance of many cool attractions. I didn’t feel I could create enough material with a bus ride, so I changed it to a streetcar and decided Cal’s group of day campers would visit the museum. I took my day campers often to the Provincial Museum and Archives of Alberta. The kids loved it.

2. What difficulties did you encounter while writing this story, other than finding the time to do it?

Lea Kulmatycki: The research involved. The museum moved from its original location and it was difficult to find the specific information I required to insure as much authenticity as possible.

3. What research did you do with regard to the story?

Lea Kulmatycki: While the story is historical “fiction”, I tried to represent the “history” as accurately as possible. There was a lot of research involved!

4. Are you writer that plots out all the different angles, or are you more free-form. Why do you think you write this way?

Lea Kulmatycki: I’m probably a mix between the two. I start with an idea and then I plan out the first chapter/part of the story. At the same time I’m mulling over the ending. Once I have these two pieces, I start writing and let the story take its course. I don’t even start to write a story if I don’t have a solid idea for these two parts. I spend an eternity working on the first chapter/part of a story. This is where I establish voice, organization, etc. Once I’m happy with the first chapter, the rest seems to flow.

5. What is your typical response to “writers’ block”?

Lea Kulmatycki: I’ve stopped worrying about it. Instead of sitting and looking at a blank page or writing to just write, I do something else. However, my mind is always focused on thinking of ways to iron out the particular problem that has me stumped. Teaching doesn’t leave me much time to write, so driving to and from school is also great time to work out story problems.

Lea Kulmatycki’s story, “So What Did I Do This Summer?”, is featured in ‘Edmonton: Unbound’, which you can purchase now on Amazon.

Remember to stop by and catch us at the ‘Poets and Writers Networking Event’ on April 6th from 6-9:00pm at the Strathcona Place Centre, 10831 University Ave, Edmonton, AB.

-Brad OH Inc.

Advertisements

Interview with ‘Edmonton: Unbound’ Author Lida Somchynsky

Edmonton: Unbound’ contains fourteen stories by twelve members of the Edmonton Writers’ Group.

They are unified only by the common theme of their current hometown, Edmonton, AB. Ranging from simple domestic interactions, to futuristic sci-fi adventures, to deep psychological introspections, these stories take a look at Edmonton from viewpoints as different as the writers themselves. This anthology is a love letter to our hometown, and demonstrates our incredibly varied approaches to literature, and to life.

As a gesture of our gratitude, all proceeds from the sales of this book will be donated to the Edmonton Public Library, which has been gracious enough to host our humble group at the Capilano branch for over a decade and a half.

Click the Image to buy ‘Edmonton: Unbound

To celebrate this release, we have an interview with one of the ‘Edmonton: Unbound’ authors, Lida Somchynsky.

  1. What was your initial inspiration for the story you included in this anthology, and how the story changed from its original conception?

Lida Somchynsky: My initial inspiration for the story was that I knew immediately that I wanted to have The Green and Gold Gardens feature as the designated locale for this anthology.  When I heard how this ‘garden’ came about, there was the realization that it was a remarkable narrative that needed to be told as it is a place that the City of Edmonton, along with the University of Alberta can truly be proud of.  The story initially was going to be a type of mystery, with a photographer visiting the gardens at dusk, skulking about amongst the rows of sunflowers, dressed in military fatigue…. Looking for what I did not know.    However, upon further reflection, I thought this type of plot would take away from the deeply moving humanitarian intent that ‘the garden’ symbolizes.

  1. What events in your background led you to want to write?

Lida Somchynsky: I have always been an avid reader and enjoy entering other people’s realities to the extent that I still cannot read mysteries in the dark of night.   Upon graduating from university, some of the places where I was employed, required that I write articles such as newsletter items and promo pieces.  Family and friends have always commented on my imagination and so gradually the idea took hold—after several decades of mulling it over to try my hand at writing short stories.  A dear friend and I co-wrote a play for the Fringe in the early nineties which was a great success and that also proved to be an incentive to explore another medium.

  1. What difficulties did you encounter while writing this story, other than finding the time to do it?

Lida Somchynsky: Once I established what the new plot was going to be, the story flowed beautifully and I enjoyed the unexpected turns of creativity while conjuring up various plot point twists.   The ‘Rwanda crisis” part still needs more work as in my mind it feels too didactic at times.

  1. How are your life experiences / career / hobbies reflected in the story?

Lida Somchynsky: I enjoy strolling about in all types of gardens but am not a gardener in any sense.  My one and only attempt failed miserably in terms of a vegetable garden – nothing germinated as there was too much clay in the soil.  However, in that same tiny plot of land I had unexpected success thirty years ago—growing the second tallest sunflower in Alberta for which I was awarded a weekend for two at Fairmont Hot Springs.  A neighbour notified me of the contest that a horticultural magazine was hosting. I was ‘six inches short’ with my sunflower measuring over sixteen feet tall – to win the first prize which was a trip to Brazil.  Cycling is a favourite pastime and in the summer, I make biweekly pilgrimages with friends to the “Green and Gold Gardens” as part our exercise routine.

  1. Are you writer that plots out all the different angles, or are you more free-form. Why do you think you write this way?

Lida Somchynsky: I like to plot out different angles but enjoy when the unexpected thought bursts onto the page and takes the story to different places and there the writer in you goes along for that surprising ride.

Lida Somchynsky’s story, “The Garden”, is featured in ‘Edmonton: Unbound’, which you can purchase now on Amazon.

-Brad OH Inc.

Interview with ‘Edmonton: Unbound’ Author Marlene Skaley

Edmonton: Unbound’ contains fourteen stories by twelve members of the Edmonton Writers’ Group.

They are unified only by the common theme of their current hometown, Edmonton, AB. Ranging from simple domestic interactions, to futuristic sci-fi adventures, to deep psychological introspections, these stories take a look at Edmonton from viewpoints as different as the writers themselves. This anthology is a love letter to our hometown, and demonstrates our incredibly varied approaches to literature, and to life.

As a gesture of our gratitude, all proceeds from the sales of this book will be donated to the Edmonton Public Library, which has been gracious enough to host our humble group at the Capilano branch for over a decade and a half.

Click the Image to buy ‘Edmonton: Unbound

To celebrate this release, we have an interview with one of the ‘Edmonton: Unbound’ authors, Marlene Skaley.

  1. Explain why you chose the specific Edmonton landmarks that you did (Kingsway Mall, the Second Cup in Oliver Square).

Marlene Skaley: I lived in the Kingsway area of Edmonton for many years. The Oliver Square episode was a real event, as were a few other episodes in the story.

  1. Where do you write?

Marlene Skaley: Favorite places to write are places that inspire. Forests, sunshine, lakes…My little boat or cabin in the woods in the Kootenays cannot help but draw out one’s creativity. Whenever inspiration hits me I write. I have often had to pull over to the side of the road while driving and grab a pen and paper to record some ideas before they are forever lost.

  1. You call yourself a student of the universe. What is a student of the universe?

Marlene Skaley: All of life is my University. The entire universe holds so much wonder and beauty that no matter where I go or how much I explore and discover and learn, infinity is always in front of me.

  1. How can meditation help creative people such as writers?

Marlene Skaley: Hmmmm.  That is a very deep and complex question and cannot be answered in a few words. To be able to understand fully one needs to experience it. But I will give it a try. In meditation one begins to explore different levels of consciousness that they have previously never known. All answers to all of life’s mysteries reside in these places. True creativity can only come when one begins to still the mind and enter these places. All great art, music, writing, or other forms of creation come from a mind that has entered into stillness in one way or another.

  1. What red wheelbarrows have you had in your life?

Marlene Skaley: I love that question! My life is a continuous miracle. In my meditation classes I have my students look for miracles in their lives and the more you look the more you find! It really is a law of life.

Marlene Skaley’s story, “It’s Raining Red Wheelbarrows”, is featured in ‘Edmonton: Unbound’, which you can purchase now on Amazon.

 

-Brad OH Inc.

Interview with ‘Edmonton: Unbound’ Author Christine W.

Edmonton: Unbound’ contains fourteen stories by twelve members of the Edmonton Writers’ Group.

They are unified only by the common theme of their current hometown, Edmonton, AB. Ranging from simple domestic interactions, to futuristic sci-fi adventures, to deep psychological introspections, these stories take a look at Edmonton from viewpoints as different as the writers themselves. This anthology is a love letter to our hometown, and demonstrates our incredibly varied approaches to literature, and to life.

As a gesture of our gratitude, all proceeds from the sales of this book will be donated to the Edmonton Public Library, which has been gracious enough to host our humble group at the Capilano branch for over a decade and a half.

Click the Image to buy ‘Edmonton: Unbound

To celebrate this release, we have an interview with one of the ‘Edmonton: Unbound’ authors, Christine W.

1. Emily and Forest were up against a tight deadline when disaster struck. Has this ever happened to you and what did you do?

Christine W.: There was a comically tragic moment when I was making a couple of lemon meringue pies for a charity bake sale later the same day. The pies take two to three hours to set after the meringue is cooked and are pretty much liquid when they go into the fridge. The first one made it safely onto a shelf in the fridge; the second pie leapt out of my hands and landed head first on the floor. Fortunately I had enough ingredients to make a third pie and barely made it to the bake sale in time to drop off two, mostly set, pies.

2. What is your favorite public art work?

Christine W.: In general I’m a fan of older architecture and more modern bridges. Edmonton’s new bridge is rather impressive as is the Pantheon in Rome. There is no need to pick a favourite.

3. If you had to explain the meaning behind the Talus Dome to tourists, what would it be?

Christine W.: Well, the city has a poetic description of the Dome relating to the landscape and whatnot. I think it is a pile of shiny metal balls expertly positioned to reflect light in an amusing way. Whether good or bad, people talk about it and it is a memorable feature of Edmonton. Our city used to be known mainly for a mall. Being remembered for having a pile of space poop as art is more fun.

4. If Emily and Forest made you a cake, what would you want on it and why?

Christine W.: This is awkward. I don’t like cake. Icing is good though.

5. Your job of attempting to improve conditions of society sounds really worthwhile. What are the proudest moments you would like to share with the readers?

Christine W.: I’m a scientist by training and basically figure things out for a living. Working to better understand supports required for individuals diagnosed with Fetal Alcohol Spectrum disorder has been and continues to be a particular passion for me.

Christine W.’s story, “Space Poop”, is featured in ‘Edmonton: Unbound’, which you can purchase now on Amazon.

-Brad OH Inc.

Interview with ‘Edmonton: Unbound’ Author Simon MacKintosh

On January 20th, at 10:00am, the authors of ‘Edmonton: Unbound’ will be at the 1975 111st. YMCA selling and signing copies of our new anthology. ‘Edmonton: Unbound’ contains fourteen stories by twelve local authors, unified only by the common theme of their current hometown, Edmonton, AB.

Ranging from simple domestic interactions, to futuristic sci-fi adventures, to deep psychological introspections, these stories take a look at Edmonton from viewpoints as different as the writers themselves. This anthology is a love letter to our hometown, and demonstrates our incredibly varied approaches to literature, and to life.

As a gesture of our gratitude, all proceeds from the sales of this book will be donated to the Edmonton Public Library, which has been gracious enough to host our humble group at the Capilano branch for over a decade and a half.

Click the Image to buy ‘Edmonton: Unbound

To celebrate this release, we have an interview with one of the ‘Edmonton: Unbound’ authors, Simon MacKintosh.

  1. I read an earlier draft of your “Uncle Charlie’s Tiger Hunt.” What kinds of things did you do when revising the story?

Simon MacKintosh: Mostly, I tried to tighten up the humour. There are several things that can make a story funny. One is a sequence of events, all commonplace but ridiculous (like sliding down a hill unable to control yourself), that build towards a hilarious climax. I tried for that because the story started as an attempt to do that. Other elements of humour are ordinary things made ridiculous by an unlikely context, or the relationships between people. I worked on those as well.

Apart from that I just polished up the language a bit. My initial copy of anything is little more than a poorly expressed idea. It takes multiple passes of editing to get it to a point where I am near satisfied. I am never completely satisfied.

  1. What do you like about writing humour versus writing science fiction?

Simon MacKintosh: Humour creeps into my science fiction as well. After all, humour is part of life and any story is, in the end, about life. I just thought that if I tried to write a science fiction story without any science, what would be left would be humour. I really have no preference.

  1. Who are your favourite humour writers?

Simon MacKintosh: Tom Sharpe. Filthy, but hilarious. Spike Milligan, his book ‘Puckoon’ includes a textbook example of a sequence of escalating ridiculous events, when a group of people escape from a lunatic asylum during the night in the middle of winter.

And of course Douglas Adams.

  1. What is your science fiction novel about?

Simon MacKintosh: A guy invents a time machine and starts to go back and fore in time, as one does with a time machine. But then his time machine is wrecked and he is stuck on a future Earth where society is slowly decaying. So he escapes into outer space and travels the galaxy before discovering that galactic civilization too is coming to an end. So he goes home, only to realize … but I won’t spoil he story by telling.

  1. What does your own lawn look like in the summer?

Simon MacKintosh: In order to keep Bylaw Enforcement from my door, I will refrain from answering that question.

Simon MacKintosh’s story, “Uncle Charlie’s Tiger Hunt”, is featured in ‘Edmonton: Unbound’, which you can purchase now on Amazon.

Remember to come by to get your copy at 10:00am on January 20th, at the 1975 111st. YMCA!

-Brad OH Inc.

Interview with ‘Edmonton: Unbound’ Author Brian Clark

Today, the Edmonton Writers’ Group will be in the Presentation Room of the Enterprise Square EPL Branch in downtown Edmonton from 1:00pm-5:00pm, selling and singing copies of our new anthology, ‘Edmonton: Unbound’.

Edmonton: Unbound’ contains fourteen stories by twelve local authors, unified only by the common theme of their current hometown, Edmonton, AB. Ranging from simple domestic interactions, to futuristic sci-fi adventures, to deep psychological introspections, these stories take a look at Edmonton from viewpoints as different as the writers themselves. This anthology is a love letter to our hometown, and demonstrates our incredibly varied approaches to literature, and to life.

As a gesture of our gratitude, all proceeds from the sales of this book will be donated to the Edmonton Public Library, which has been gracious enough to host our humble group at the Capilano branch for over a decade and a half.

Click the Image to buy ‘Edmonton: Unbound

To celebrate this release, we have an interview with one of the ‘Edmonton: Unbound’ authors, Brian Clark.

  1. What was your initial inspiration for the stories you included in this anthology, and how have they changed from their original conception?

Brian Clark: ‘Hunting Harley’ started almost 4 years ago with the words “dart player chic” I found scrolling through my file of ideas, tips & phrases that resonate.  It seemed to me that the phrase belonged in a romance so I started to write the “Jean” character as a girlfriend for the dart player guy.  The story evolved into a sort of soap opera structure weaving a romance, a crime and motor cycle workshop.  I floated the piece before members of the Edmonton Writers’ Group and it became clear that the story was too busy to be fully coherent.  The result was that I dropped the romance element, brought forward the crime story and used the workshop as a location where the characters interacted.

‘The Letter’ was written specifically for the Edmonton: Unbound project and came to me pretty much fully formed.  I had used the main character before in an unpublished story so she seemed like an old friend.  The full first draft was written in a single 75 minute sitting.  In a subsequent session, I added a couple of paragraphs near the middle and worked on the last paragraph.  A third outing added the historical research and all I had left to do was the line editing.

  1. What events in your background led you to want to write?

Brian Clark: Early in my working life, I wrote letters for a living but those were always under the tight editorial control of others.  When I retired, I developed an urge to say what I think.  I wrote for the newsletter of a non profit organisation for a while, but again the editorial guidelines felt restricting.  Thus I ended up writing fluffy fiction with, I hope, an underbelly of gentle social comment.

  1. What difficulties did you encounter while writing these stories, other than finding the time to do it?

Brian Clark: This is an easy question.  By a long way, my biggest challenge is always getting my work into the format needed by the editors.  On a couple of occasions, I was thankful for the computer assistance of my daughter.

  1. How are your life experiences / career / hobbies reflected in your stories?

Brian Clark: Being older, the people in my life, my friends tend to also be seniors so I think that contributes to my attraction to mature characters.  All my adult life I have listened to Bruce Springsteen and I love the way he writes tight characters and stories and leaves the listener to draw their own conclusions about the underlying social conditions.  I aspire to do something similar.

After my workout at the YMCA, I usually hang out in the locker room and drink coffee with other retirees.  I enjoy hearing their stories about their lives and frustrations.  I am sure some those help provide colour to my stories.

  1. Are you a writer who plots out all the different angles, or are you more free-form. Why do you think you write this way?

Brian Clark: I am fairly disciplined when writing characters and I am becoming more so when describing settings.  With plots, I take a much more free-form approach.  I have around a dozen part written stories and perhaps as many as a hundred orphan paragraphs that may or may not end up in a finished work.

Why I write this way is a more difficult question.  When I was a child I wanted to eat my dessert first because that’s what I enjoyed the most.  With writing, I am able to indulge myself and write the bits that come easily to me.  I take the view that every first draft, every fragment is perfect because its only purpose is to exist.  Once I have something written down I can and do change it or ignore it.

Brian Clark’s stories, “The Letter” and “Hunting Harley”, are featured in ‘Edmonton: Unbound’, which you can purchase now on Amazon.

-Brad OH Inc.

Interview with ‘Edmonton: Unbound’ Author Howard Gibbins

Today, the Edmonton Writers’ Group is proud to announce that authors of our current anthology, ‘Edmonton: Unbound’, will be hosting our official book launch and signing event next Sunday, January 7th, from 1:00pm-5:00pm, in the Program Room of the Enterprise Square Branch of the Edmonton Public Library. Come on down for a chance to meet the authors, pick up a copy, and get it signed!

Edmonton: Unbound’ contains fourteen stories by twelve local authors, unified only by the common theme of their current hometown, Edmonton, AB.

Ranging from simple domestic interactions, to futuristic sci-fi adventures, to deep psychological introspections, these stories take a look at Edmonton from viewpoints as different as the writers themselves. This anthology is a love letter to our hometown, and demonstrates our incredibly varied approaches to literature, and to life.

As a gesture of our gratitude, all proceeds from the sales of this book will be donated to the Edmonton Public Library, which has been gracious enough to host our humble group at the Capilano branch for over a decade and a half.

Click the Image to buy ‘Edmonton: Unbound

To celebrate this release, we have an interview with one of the ‘Edmonton: Unbound’ authors, Howard Gibbins.

1. You have been with the Edmonton Writers Group for many years. How has the Edmonton Writers Group helped you as a writer?

Howard Gibbins: Being a member of the group has helped me to focus on my writing, as well as share ideas with other members such as developing a plot, characterization (i.e., what makes a memorable character). I’ve also found that the experiences of the various members has given me ideas for things to research when writing some of my work.

2. What was your greatest challenge in writing each of the two stories in the anthology?

Howard Gibbins: “A Night to Remember” developed out of a writing challenge, and in its first iteration was pretty poor to say the least. I then began working on rather large novel, and found out that I had to either explain way to much in the novel itself, or I could use this story with just a bit of rewriting to explain a lot of the backstory. As for “Tools of the Trade”, I work in the palaeontology department at the University of Alberta, and the tools mentioned in the story are actually in our collection. When I first saw them, I got the idea for the story and it quickly developed into the final product. Not to give too much away, I guess the biggest challenge to this would be the setting of the house as it had to have certain physical characteristics which meant I had to sour Google Maps® to find a suitable location.

3. You include time travel in your stories. What is it about time travel that interests you and makes you want to write about it?

Howard Gibbins: Actual time travel is actually only featured in “A Night to Remember” but I guess what interests me is that there are numerous hypothesis dealing with temporal travel, but virtually the only one you ever hear about is a linear progression which is what is dealt with in the “Grandfather paradox” i.e., if you go back in time and kill your grandfather, how do you get born? I’m well aware that time travel isn’t possible with our current understanding of physics, but then again the other stories in this world all revolve around a scientist who has discovered/developed a new physics. In “Tools of the Trade” the main character visits an alternate in a dream-like state, so this is kind of cheating on the time travel idea, but hopefully it works for the reader.

4. Which writers do you admire, and why?

Howard Gibbins: I read a lot of books. As far as fiction writers are concerned Robert Heinlein, Isaac Asimov were some of the first ones that I read when I was young. This was followed by James P. Hogan, Robert Sawyer and Chris Bunch. These are all Science Fiction writers but I try and add an element of mystery into my writing as well so authors such as Agatha Christie, Sue Grafton, and other have also influenced me. As for non-fiction, I tend to read authors that have a science background themselves as they are aware that research is required to be able to write science books.

5. What part of writing do you like the most? What part of writing do you like the least?

Howard Gibbins: The part I like the best is seeing the story develop, especially when it takes off on a tangent, and I have to try and figure out how to explain what happened (assuming I keep it in – and I usually do). As for what I like the least, I guess that would have to be all the self-promotion that one has to do now-a-days to get your stories out there.

Howard Gibbins’ stories, “A Night to Remember” and “Tools of the Trade”, are featured in ‘Edmonton: Unbound’, which you can purchase now on Amazon.

Have a Happy New Year, and remember to come on down to the Enterprise Square Branch of the EPL to get your copy, and meet the authors on Jan. 7th, from 1:00pm-5:00pm!

-Brad OH Inc.