Advance Album Review: Kottonmouth King’s ‘Krown Power’

The Gentleman Juggalo LogoWhen I checked my inbox a few days back, I have to admit I was pleasantly surprised to find an invitation to review an advance-copy of the Kottonmouth Kings new album- ‘Krown Power’. A chance like this after only a few months actively reviewing albums? Nice work Fam!

The decision to seize the opportunity was immediate—after all, I’ve been a fan of the band since being introduced to their 2000 album ‘High Society’ via the ICP guest spot. Since then, I’ve followed the band’s unique sound—a psychedelic mix of hip-hop and punk rock—throughout their career. I’ve even had the pleasure of seeing them live on a number of occasions, including the Gathering of the Juggalos 2010 and 2012.

So there was no question about it—if I had the chance to review their new album ahead of its release date, I was jumping on the opportunity.

‘Krown Power’ will officially drop on August 28th, marking the band’s 14th studio album (EP’s and compilations bring the total significantly higher), which is a testament to their staying power to say the least. But that’s not all that’s interesting about this album.

KrownPower‘Krown Power’ will be available on August 28th.

Back in 2013, the band split from their long-time record label ‘Suburban Noize’ due to internal conflicts. A devastating challenge for any band, KMK took the split in stride, and went on to found their current label, ‘United Family Music’ in 2014. ‘Krown Power’ will be the band’s debut release on United Family Music, and also their first release since the departure of founding member Johnny Richter, who also left around the time of the Subnoize split.

With so much having changed, it’s only natural to feel some trepidation about what the future holds for this strange and undoubtedly pot-reeking crew of musical misfits. As it turns out, the future is not too dissimilar from the past, and that’s not such a bad thing either!

‘Krown Power’ is laced with all the familiar elements of a KMK release. The lead single ‘Ganja Glow’ would have no doubt sufficed to silence any doubts about the ongoing focus of the band. One thing is beyond question…KMK still love their weed. It’s been a cornerstone of the band since their days as the ‘Humble Gods’, and it remains the most consistent topic on ‘Krown Power’. In fact, they reinforce their heartfelt love of the herb on nearly every song, showing an impressive flexibility of praise that would be the envy of any proper ‘Worship Band’.

This is exhibited most succinctly in the penultimate song of the album, the aptly named ‘Mary Jane’. With echoes of the 2002 song ‘Rest of My Life’, ‘Mary Jane’ is undeniable proof that of all the countless artists who have ever proclaimed their own love to be the only one true and eternal, the love KMK have for the titular Mary Jane has stood the test of time far better than most.

Happily, the rest of the album doesn’t slouch either—despite the influence it was undoubtedly conceived under. Ranging from high-energy party songs like ‘Our City’ and ‘Fill Your Cup’, to the vintage sounding ‘Sink or Swim’, KMK show the sort of consistent diversity their fans have come to expect. ‘Fuck Off’ features the return of long-time collaborators Insane Clown Posse, with an opening verse by Shaggy 2 Dope which is sure to bring a nostalgic smile to the painted faces of any Juggalos listening.

Other standout tracks include ‘Pump up Da Bass’, ‘Don’t Feel Down’, ‘Ganja Glow’, and ‘Good Time Zone’—all but the last of which guest star the incredibly talented Marlon Asher. These tracks–and Marlon’s presence especially—bring a welcome reggae-influence to the album which is so perfectly fitting with KMK’s sound and passions that it seems a match made in reefer-heaven.

marlon-asherMarlon Asher adds to the album with his distinctive Reggae sound.

The kings would do well to hold onto this influence and make the most of his talents. And they may be—rumours circulate that Asher has been signed to the band’s nascent label ‘United Family Music’, but these remain unconfirmed at the time of press. Fear not however, Brad OH Inc. is currently working on an interview with the Kottonmouth Kings, and we’ll be certain to have more information for you about this promising new contributor once that drops.

At the end of the day, when you put on a KMK record you should have a pretty good idea of what you’re getting, and that remains true for their first release on ‘United Family Music’. If their storied love of pot has been of fairy-tale persistence, so too has their dedication to their particular craft. The reggae sound on this album works well for a more mature balance to the familiar themes, and results in an album which gives due reverence to the past, while also managing to remain focussed—albeit through blurry, bloodshot eyes—on the future.

-Brad OH Inc.

Fringe Fest Play Review- ‘Rigby Muldoon: Time Traveller for Hire’

cropped-cropped-blogbanner13.jpgLast Saturday I found myself skillfully navigating the crowded and popcorn reeking confines of the Edmonton Fringe Festival—lovely lady on my arm—in a hurried attempt to make it to the box-office in time. My friend Tom, the Stage Manager of the play I’d chosen to see, had advised me that advance tickets wouldn’t be strictly necessary, yet still an uneasy feeling mounted in my gut as I pushed through the mobs on the way to the PCL Studio Theatre.

As is often the case, my intuition had served me well—albeit late—and I arrived just in time to find the box office freshly out of tickets for ‘Rigby Muldoon: Time Traveller for Hire’. Damn my luck! What sort of fringe fest play sells out on its opening weekend?

Well, this one by all evidence. ‘Rigby Muldoon’ sold out its opening night in fact—and every other night since!

Written by Robyn Slack and directed by Olivia Latta, ‘Rigby Muldoon: Time Traveller for Hire’ is a noir-infused sci-fi comedy which tells the fascinating tale of aimless gamer-girl Annie Sinclair (Carina Morton), who is so desperate to undo the decisions of her past that she hires the services of the gritty and unabashedly noir-inspired time traveller: the titular Rigby Muldoon (Joshua Lee Coss).

Rigby And AnnieRigby Muldoon (Joshua Lee Coss) and Annie Sinclair (Carina Morton)

‘Rigby Muldoon’ was first test-read at Nextfest in June of this year, and only written in May. For such a relatively short turn-around time, the performance was impressively polished and professional—a 75 minute romp through time which brought consistent laughs to everyone in attendance.

While writer Robin Slack admits that the themes of the play are laid out on the table pretty early, the deft exploration of the subject matter keeps the audience guessing at several ongoing strands, while distracting like a skilled magician with a litany of jokes ranging from time-travel idiosyncrasies, to complex call back humour and even several plays at retro-inspired nostalgia (not limited to a Coolio reference!).

The tone of the show is unapologetic in its passionate dedication to what’s come before it—it’s innately chrono-conscious after all. The heavy noir imagery and attitudes manage to work incredibly well alongside the throwback video game references and 90’s irreverence which the cast find themselves mired in.

To give some context to the menagerie of mad settings and insightful writing you might find here, one stand-out scene involved a laser-tag shootout which served not only to make some key advances to the storyline, but also to utterly—and hilariously—tackle the concept of ‘trolling’. Take notes kids!

Of course, the humour isn’t limited to 90’s culture and unexpected twists: every facet of the stage design, costuming, and acting serves to solidify the intentionally overblown themes and self-aware quips. It seems at times that each scene might fit as well in a play of a totally different genre—but ‘Rigby’ is one of a kind!

In fact, as I sat watching the show in silent admiration, I realized how unsurprising it was that it had sold out every night it’s been put on. With its non-stop laughs and impressively subtle twists, it is the undeniable progeny of an unrestrained love for all things nerdy, coupled with an innate understanding of the fundamentals of good storytelling.

Group-1Left to Right: Laena Anderson, Robyn Slack, Joshua Lee Coss, Carina Morton

Speaking before the show with Writer Robyn Slack, I was assured that the play’s performance had exceeded his expectations. If so, he may be well-advised to broaden them before considering the next step for ‘Rigby Muldoon’. Its abundance of humour works on all levels while managing to make room for enough essential character building moments to keep the audience affectionately engaged throughout. My showing ended with an extended standing ovation from the sold-out crowd, and I can scarcely imagine the ending is much different no matter what night you attend.

As of the time of this posting, there are only two showings left of ‘Rigby Muldoon: Time Traveller for Hire’. You can catch it at the PCL Studio Theatre at the Edmonton Fringe Festival at the following times:

Saturday August 22nd – 8:45pm

Sunday August 23rd – 6:45pm

Just remember, unless you have the time-altering talents of the titular Rigby, you’d do well to learn from the mistakes of this writer and get your tickets in advance!

For More Info: Rigby Muldoon

-Brad OH Inc.

On Combating Jihad

purelyspeculationAmong the myriad fears and apprehensions inherent to life in these chaotic times, the threat of ‘Jihad’ reins omnipresent. It is beamed into our consciousness daily, reminding us that we may at any moment be wiped out by hateful and demented foreigners who seek only our blood.

It’s not an encouraging thought.

Defined according to my loose understanding (and if anyone has a greater skill for this, please share in the comments), ‘Jihad’ refers to the duty of Muslims to maintain their religion. This can be represented in many forms, and by the Islamic Extremists represented under the ISIS banners and others—this is seen in a Holy War against the ‘Western World’.

This notion of Jihad, and especially the extreme form it takes under ISIS is a new kind of war. It’s a war of ideas. And at present, they are winning it. Each day we hear of more citizens packing up and leaving to throw their lot in with these ‘dangerous radicals’—giving up life and liberty in order to risk life and limb.

What drives this madness?

Jihad is a story of reactive hatred—of fear for what is perceived as a threat to one’s lifestyle. But it’s a story, a metaphor like any other belief system a human can settle upon. As we’ve discussed (Link), people need stories to find meaning in life, and while this can be a wonderful thing under the right circumstances, we also showed in the article ‘The Popular Misappropriation of Blame’ (Link) that belief systems are a reflection of circumstances, and in dire straits can easily turn to this sort of vengeful bloodlust.

Forming upon such considerations amidst the harsh climate and unforgiving politics of the middle-east, it’s understandable how such an angry ideology would serve. But one story interacts with another, and what exactly do these individuals see when they look upon the so-called ‘Western World’? The world of ‘Freedom’, ‘Democracy’, and ‘Capitalism’?

We claim to be democratic and free in the political sense, but there is no doubt our economic system overrides our political one (Link) . We are driven by corporations—greed and dominance. Growth through desolation. We spread like locusts, sapping the world of its resources to live in luxury while we send those beyond us spiralling into chaos. Meanwhile, our ideals are hung up in the impotent stories of political parties with little true control over our nation’s direction.

Pantomimes and parodies.

In the waning days of religion in the West, we have no Gods to look to for guidance. Yet we continually claim we can act morally without such ‘frivolities’. This is true of the individual to a certainty, but we are yet to prove that a nation without a great idea to stand behind can ever act righteously on the global scale. The freedom we boast of is a lie. And so are we.

Jihad is an idea, and ideas are only fought with better ideas. As we continue to drop bombs and glorify our struggle against terror with arms alone, we succeed only in strengthening the resolve of our enemy—doing nothing to increase the power of our own ideals. Like the Lernaean Hydra (Link) we cut one head off, and two more grow back.

No, the only way to win a war of ideas is with the very same. Rather than contenting ourselves with the dissemination of false ideals, we must begin to truly model them as well, and show what the freedom we boast about really means.

Right now, the realities of our society are witnessed all the more astutely by those without, and what a dismal image it strikes. To win the war against global extremism—be that ISIS or any other expression of it—we must combat it with our own, superior idea. We need to talk it, walk it, and live it in every sense.

But before we do that, we’d damn well better settle on exactly what that idea is…

-Brad OH Inc.

Welcome to ‘The Gentleman Juggalo’

The Gentleman Juggalo LogoWelcome to ‘The Gentleman Juggalo’, a brand new post-category (Link) here on Brad OH Inc. Some of you may not be familiar with ‘Juggalos’ (Link), the infamous fan-base of the Insane Clown Posse (Link). Well, it just so happens that one of our dear writer’s here at Brad OH Inc. is a self-professed Juggalo, and has expressed a desire to help educate and enlighten our readers about this strange and maligned sub-culture.

It’s true certainly, that the Insane Clown Posse and their fans have been covered here before—most recently in our review of their album ‘The Marvelous Missing Link: Lost’ (Link). But apparently, that wasn’t good enough for the tenacious, painted bastard at our news desk, and so we’ve been convinced to roll out this sub-category to help distinguish such articles in the future.

For now, and especially for those of you less familiar with the Insane Clown Posse and their Juggalo Family, we’re taking this opportunity to provide a primer in the form of our formerly released essay ‘Circular Journey’ (Link), which is a psychological study of ICP member ‘Violent J’ through the lens of Ernest Becker’s ‘Terror Management Theory’ (Link).

Circular Journey Cover

Now, the mockery and degradation of Juggalos is ubiquitous online these days—hell, the FBI even went so far as to classify them as a hybrid-gang (Link)…but more on that later.

At Brad OH Inc., we are committed to providing fresh content and unique perspectives, and what we find missing in the reporting on Juggalo culture is the sort of unbiased, insightful critique demanded for nearly any other topic in media. We believe you’ll find that here. In fact, ‘Circular Journey’ (Link) should act as a fine introduction to the sort of measured, informed look at the Insane Clown Posse and its fans ‘The Juggalos’ that ‘The Gentleman Juggalo’ (Link) is poised to offer. We certainly hope you enjoy it.

-Brad OH Inc.

Saving the World: 101

purelyspeculationSupply and demand is the driving force behind any effective economy. Since the Industrial Revolution (Link) however, the face of the ‘supply’ end has been changing. As reliance on machines began to increase in the production of goods, the number of workers required has reduced correspondingly. Materials and goods are now produced more efficiently, and at lower costs to the producers.

Of course, like all things technologically driven, this process only tends to speed up exponentially over time. With the dawn of automation in factories, and technologies like 3D-Printing reinvigorating the revolutionary process begun in the 1800’s, the balance between supply and demand may never have seen such a radical shift. In fact, it’s entirely plausible that within a decade or two, we could produce the vast majority of our goods with little to no human investment.

As discussed in our article ‘On the Concept of Society’, the advancements of society are a cumulative process, and their rewards must therefore be shared equally amongst its constituents. Sadly, this is seldom the case.

While the supply end of the market grows ever easier, demand remains moreover the same, and the essential balance between the two becomes very different from what was initially intended. Rather than setting a price based on the amount of a good available contrasted against the demand for that good, we see a more methodical approach: With an unlimited quantity of a given commodity available to be produced at extremely low cost, what is the greatest amount that can be charged for that product without alienating consumers?

Therefore, the maximum amount is charged for all goods and services, while the financial gains resulting from improved means of production tend to filter only into the pockets of the business owners.

The final result is that the vast majority of the citizenry continues to struggle to meet their basic needs. Clearly, this system is no longer an acceptable form of management, but where do we go from here?

Let us consider the original need for economic systems such as the ‘free-market’ and its inherent reliance on ‘supply and demand’. The world—and moreover society—has always been in need of guidance, of a helping hand to direct us in the choices we need to make. In its historical absence, humans have spent the greater part of our existence inventing our own, then fighting over the results.

Usually, the established political system is intended to reign in the ambitions of the market place, but here too we have found ourselves struggling. Voters find themselves muzzled by corporate control of government, false-choice party politics, and the impossibility of getting any legitimate populist issue to the table past the corporate watchdogs.

So the economic systems can no longer function, and the political system won’t. There’s good news however. We may finally be at a point technologically where there is no longer any excuse not to begin work on a real solution to these co-morbid failings. A ‘God Program’, if you will. Its basis is already established in the internet, and certainly the tools are there to build towards an effort at human consensus through the ability to share ideas uncensored worldwide. This would benefit all people: both in the economic forum, and the political one.

Currently, the internet—with examples such as Reddit, Anonymous, Occupy Wall St. etc.—represents the incredible brilliance and diversity of our population. However, this brilliant spread of people have next to no representation in electoral politics. The political view is dominated by the opinions of crusty old business men who care only for their own profit margins.

Tapping into the full potential of the internet represents an incredible shift in our conceptions of democracy and political participation. In a return to something closer to Athenian Democracy (Link),this program would give the power of voice back to the electorate.

By fundamentally altering the existing architecture of the internet to handle these lofty ambitions, we could establish not only international, uninhibited communication on key political topics, but also a database of all fact and knowledge—with Wikipedia likely acting as a fine foundation for that concept.

The program would not only increase the political voice of all people, but fully manage the economic considerations outlined in our discussion of supply and demand. Its considerations would need to include population size and the balances therein, crop yield, required sources of work and how such might be distributed. Essentially, with a computer program evaluating all available supply and existing demand, society would largely be engineered rather than controlled—with science, math, and humanity acting as the fundamental drives, rather than money or power.

To be sure, this isn’t a new idea by any stretch—as far back as the founding of Technoracy Inc. (Link) in 1931, the notion of a society driven by logic and engineered from the ground up to meet the needs of all has been floating around. It just hasn’t gained much traction.

Why is that?

The society we have in mind would be ideal for everyone alive. With a perfect balance of resources, a deep understanding of social needs, and a computer program capable of predicting these needs and social shifts well in advance, we could hone our efficiency, while creating a Golden Age in regards to leisure time and cultural advancement.

Balancing all needs and efforts, and focussing a calculated portion of all proceeds towards scientific research that is not limited by the profit margins of corporate priorities, our overflow of resources could be harnessed to solve any new problem which might spring up—certainly not excluding the ultimate and near-inevitable need to begin mining and colonizing beyond Earth.

There would be room for businesses to thrive and continue to both produce and profit from innovative consumer goods in a truly free-market (un-manipulated by large-scale corporate interests), while government institutions and human resources would focus clearly on the benefit of all mankind.

With an extremely small and efficient active workforce, and the needs of all met by this program, opportunities would be available for anyone to pursue their passions, and these would directly benefit all. The idea of job shortages leading to poverty or starvation would be unheard of. Mothers or Fathers would stay home to take care of their children rather than greeting people at Walmart, and all people would be free to choose a pursuit which serves them the best.

The program would allow for balance and bounty, while increasing our leisure time and guiding us into a new era of economic and cultural prosperity.

So then, what might be standing in the way of such an idyllic solution? I suppose you’d have to ask yourself another question. Specifically—when we consider utilizing the internet as a salvation for society: controlling profits, balancing production, lowering costs, increasing personal freedom and social supports, improving unilateral political participation, and using excess profits for the betterment of all—exactly who could possibly stand to lose?

If you can answer that question, you’ll see the reason that society has not yet begun to take these easily available steps towards a more utopian ideal. But in the end, it’s not their hearts or minds upon which real change depends, but our own.

-Brad OH Inc.

Donald Trump, Arrested Development, and the Future of the Free World

Under the Green Desk Lamp…

Green Desklamp

Recently, we here at Brad OH Inc. read an article (Link) about Donald Trump Pinatas being sold in Mexico. This was hailed as a fine example of capitalism in action—the Mexican people, angered by Trump’s racist remarks (Link), were using their money to show what they think of the man.

‘Capitalism in Action’… I wonder how true this is.

What if it was all a ruse by Trump himself, who is not really the racist idiot he’s been portraying lately, but is in fact exactly what he’s always claimed to be: a brilliant capitalist.

Of course, even the finest financial minds require a bit of inspiration, and I think Trump may have found his when recently watching Season 4 of Netflix’s ‘Arrested Development’ (Link).

In the fourth season of this commendable show, there is a storyline involving building a wall on the Mexican border. There’s also a day called ‘Cinco de Quatro’. This mockery of ‘Cinco de Mayo’ was a day invented by the racially-reactive Lucille Bluth as a means of destroying ‘Cinco de Mayo’ novelties in advance of the day.

As it turned out of course, this only proved a very lucrative opportunity for the enterprising local immigrants in the O.C. (don’t call it that).

But considering these events juxtaposed to Trump’s recent activities, I wonder if he formed a particularly wicked little scheme of his own.

Claiming to run for office was all part of the plan, as it created a sufficient platform to insult the entirety of the Mexican people by claiming he would build a wall and have them pay for it.

Trump, and we can assume by this hair-brained scheme that he is at least a bit racist, used this as the bait, and then went to establishing a large-scale business just south of the border producing Donald Trump piñatas.

Clearly, his heinous gambit paid off, and Trump has once again proven himself the insightful genius he’d have you all think.

Or maybe he’s really just a racist windbag. What do you think?

-Brad OH Inc.

‘Town of Truth’

Under the Green Desk Lamp…

Green Desklamp

Today we have another song/ poem from the intellectual property vaults of Brad OH Inc. For your enjoyment, we present the lost ‘Basic Human Indecency’ song: ‘Town of Truth’.

In the city with no lies

Things are not the same

Love is very rare there

There’s no such thing as blame

There are many ideas

And each one has a name

They name them for a dreamer

A man that’s not quite sane

In the city with no faith

There is no metaphor

They keep their eyes upon the ground

And guard dogs at their door

They know just where they came from

And where they’ll go forever more

Their science killed their magic

And life is such a bore

In the city with no soul

Each man is his own slave

He walks his path all by himself

Up to his lonely grave

Their medicine will cure a man

That he could never save

It can bypass the dreamer’s heart

Of which he only gave

But in the Town of truth

The eyes follow the mind

Dreams blossom to vision

Men smile and are kind

Yes the city may be ugly

But the town-folks they are blind…

-Brad OH Inc.

‘The Election’

Here at Brad OH Inc., we spend a lot of time discussing current political events, and what sort of future they might suggest. We’ve also explored many different writers and styles over the years. Today, we have a treat for you that combines the two!

Inspired by the unique ‘Gonzo’ writings of Dr. Hunter S. Thompson, ‘The Election’ is the story of a cynical journalist covering the heinous events of the fourth annual ‘United Corporate Election’. In this dystopian future inspired by contemporary politics, Corporations control all aspects of government, and elections have been reduced to satirical pantomimes in which citizens use their ‘Citizen Spending Credits’ to vote on their favourite features for the elected effigy.

Journalist Duke O’Brady ventures into this ridiculous spectacle to experience the madness firsthand, but may be in for more than even he anticipated…

This short story is one of our favourites–after all, what sort of self-loathing Corporation wouldn’t dream of such an idyllic future?

We certainly hope you enjoy it as much as all of us here at Brad OH Inc. enjoyed writing it.

theelectioncoverCover Art by- Troy Barker

‘The Election’- Smashwords

-Brad OH Inc.

Dry Rot and a Consideration of Our Terrestrial Prospects

purelyspeculation“Your house has dry rot.”

There is no phrase more dreadful to a home-owner. It’s a terrible verdict—an indictment which carries a sentence of severe financial and emotional penalties.

‘Dry Rot’, also known as ‘Brown Rot Decay’ (Link), is a fungal infection of wood which eats away at the parts which give the wood its strength and stability. It starts as a simple spore. But exposed to sufficient moisture, the spores grow and spread, infesting the wood and eventually flowering to produce new spores. The infection only grows from there—compromising the integrity of the wood and causing significant problems for the longevity of even the best built houses.

The funny things about Dry Rot, and that which it shares with so many other potentially catastrophic conditions, is that for the most part it’s pretty easy to ignore. When it’s merely a collection of spores, it can appear as a collection of fine orange dust. Sweep it away, and go about your day.

As the spores grow, they will take on the appearance of fine white strands, stretching over the surface as they continue to spread the infection. But this too can be passed off—rationalized as spider webs, dust, or a litany of other excuses which don’t require significant financial investment to address.

It’s no different from a chest pain passed off as gas, or an engine rattle excused as debris.

…Or overwhelming scientific evidence of ‘Global Climate Change’ passed off as liberal hysteria.

The thing is, it’s an easy urge to understand; among the easiest. When faced with something too big to comprehend or too threatening to deal with, our first and most natural inclination is denial. After all, why stress over some distant potentiality when it can as easily be brushed off with a flippant ‘it’ll be ok’.

With Dry Rot, this can be a fatal mistake.

Often considered a cancer to buildings, if left untreated, Dry Rot spreads rapidly through timber, eating it away until it is deteriorated to the point of crumbling between the fingers. For a building, this clearly can cause significant problems. With sufficient warning and proper treatment, the infection can be isolated and cured. But if the Dry Rot makes its way to structurally integral wood, the entire building may be lost.

The prognosis then is simple—act fast to fix the problem, or risk having nowhere to live.

For any informed decision-making adult, the choice is abundantly clear. It seems almost self-evident that when faced with a choice between an untimely demise (or in this case, homelessness), or an admittedly costly investment, there should be little choice remaining—take the hit, but save the whole.

But even in the case of illness, humans have a way of rationalizing away what’s important in defense of what’s comfortable. We ignore the complaints of an ailing body, but lament when we learn our neglect has caused greater harm.

We see the same thing with our world. As technology has grown and society has evolved, so too have the conditions to which we’ve exposed this planet of ours. Just like a home-owner ignoring the damp, dark places of his house, we’ve gone on our merry way, oblivious to the potential effects as our lifestyles have caused sky-rocketing atmospheric carbon-dioxide levels.

Now, the evidence is irrefutable (Source). The climate is changing. The ice caps are melting (Source). Even if most of us have not yet detected the rust-like dust of its impending arrival, the inevitable decree of an environment neglected for too long is slowly making itself known. The rot has set in!

Yet still, denial is omnipresent. Even when we’re rational enough to admit something is wrong, we eschew any responsibility, choosing instead to bury our heads in the sand. In a disturbing instance of this ‘Wait and See’ mentality, the US Senate recently acknowledged that the climate is changing, but fell short of acknowledging that humans are responsible. (Source). In doing so, they served also to rule out the logical conclusion that humans must start working on a solution.

But this is still among the better reactions. Far more depressing, there are countless sources (most of them supported by big oil, or other environmentally destructive enterprise—Source) clamouring to attribute the rumbling of disaster to mere myth. With a glib grin they point to a snowy field, overwhelming proof in their simple minds of the misguided nature of such ‘sci-fi’ notions.

But this is tantamount to the homeowner wrapping a fist against his kitchen counter to prove that Dry Rot has not infested his foundation. It’s an ignorant knee-jerk reaction at best. At worst, it is an intentional misdirection motivated strictly by greed. In the case of climate change, I’m inclined to suspect the latter.

In truth, we’ve waited far too long already. The rot has set in, and the question is no longer whether this might be a threat, but rather how bad it is, and more importantly, what our prospects are from here.

Ultimately, we don’t know. A good guess would be: ‘bad’, but guesses aren’t worth much in a scenario like this. Action is what counts. The first action—as with any well-implemented endeavour—is to understand fully the extent and prognosis of the problem itself. To this end we must turn to science. Instead of trying to shirk responsibility for this impending travesty—although there is certainly much blame to be placed—we should be investing research dollars into finding real solutions.

It’s time to take a good look at this home of ours, and start a discussion about how to salvage it. This will require immediate and likely extreme changes—not limited to the consideration of seeking resources elsewhere in the universe. It is an expensive notion, no doubt, but the alternative is to let the foundation crumble to the rot; which would mean finding ourselves homeless in a universe that is exceptionally inhospitable to such arrangements.

-Brad OH Inc.

‘A Song for Alec’

Under the Green Desk Lamp…

Green DesklampToday we have another song/ poem from the intellectual property vaults of Brad OH Inc. For your enjoyment, we present the lost ‘Basic Human Indecency’ song: ‘A Song for Alec’.

Old Alec McPhee
Was a man of the sea
He’d traveled all over the globe
But now his boots sat
In a house on a road
Where old Alec shouldered his load

He moved into the house
To care for his family
Who offered him no word of thanks
He worked for the army
To pay for his children
But poor men don’t rise through the ranks

Every day he worked hard
Every night he lay cold
His dreams and his future denied
Old Alec sat
In a chair at a table
And looked out his window and cried

Old Alec walked down
To the water one night
Kept walking as it reached his chest
He carried with him
The clothes on his back
Some memories and left all the rest

Walked into the water
Up past his neck
Through the water he pushed out so fast
Away from the land
Out into the water
Alec walked away from his past

A man that is living
Must live in the present
A man that has run carries shame
But a man that’s found dead
Will live on in memory
And not scar the worth of his name

Alec turned around
With the water at his nose
And knew he had made a mistake
Remembered his duty
To care for his children
And knew there was no choice to make

The sounds of his life
Were silence or screaming
His friends from the past never called
His kids barely knew him
His wife didn’t love him
Alec’s house was no home at all

His family was cruel
As if sent by the Gods
To punish him for all his sin
But they needed a man
To survive in this world
And damned if it wouldn’t be him

Old Alec walked dripping
Into his kitchen
And up to his wife for a hug
She shrugged him away
And tossed him a towel
And told him to stay on the rug

In his chair by the table
He looked out the window
As dreams of the past filled his head
He stared at the ocean
And knew he’d been foolish
For he was already long dead

A man he will live
For the Gods that he chases
And see them wherever he’ll roam
And he’ll chase the shadows
Make gifts into shackles
And a prison out of a home

Alec can you find
Alec does it seem
Alec won’t you learn
That you’re chasing dead dreams

Alec are you lost
Alec are you blind
Alec don’t you know
You’ve lost more than you’ll find…

-Brad OH Inc.