Under the Green Desk Lamp…

Tolkien, philosophy, music. This is one of my favourite posts, and it deserves to surface again.

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This article is inspired by the classical piece ‘Boléro’ (Link), by Maurice Ravel (1875-1937) (Link). If you aren’t familiar with that piece, it should be considered required listening for the article to follow. You can find it here (Link).

I listened to this piece recently, and found an unexpected intensity within its plodding rhythm. I hadn’t put the song on for any specific reason, yet early in, I understood the depth of the moment I was having.

It should also be noted, perhaps, that I was at the time firmly entrenched in my (11^th?) reading of J.R.R. Tolkien’s ‘The Silmarillion’ (Link), a book to which I ascribe particular inspiration. So you should probably read that, too.

Nonetheless, my revelation started with the first beat of that oh-so-familiar snare-drum. Described as an ‘ostinato’, the pulsing rhythm of this opening drum continues throughout the entire song, remaining constant as everything else is thrown into chaos.

It struck me immediately as terribly spiritual, although it took me a while to articulate exactly why that was.

You see, in ‘The Silmarillion’, the one God, Eru Illúvatar, conceives of creation as music—performed by his angels, the Ainur. The Ainur sing his tune, but among them is the spirit Melkor, who sews discord into the song, and causes turmoil. Some of the Ainur join in Melkor’s discord, while Eru adds new themes to the music to counterbalance Melkor’s efforts.

In the end, when all music stops, Illúvatar offers the Ainur an opportunity to see what they have done, and creates the world and all existence to reflect the reality of his divine tune. Unto the Ainur he says, “Mighty are the Ainur, and mightiest among them is Melkor; but that he may know, and all the Ainur, that I am Ilúvatar, those things that ye have sung, I will show them forth, that ye may see what ye have done. And thou, Melkor, shalt see that no theme may be played that hath not its uttermost source in me, nor can any alter the music in my despite. For he that attempteth this shall prove but mine instrument in the devising of things more wonderful, which he himself hath not imagined.” (Pg. 17)

Since childhood, this story always struck me as one of the most apt and inspiring metaphorical representations of the divine will. And so, as I listened to the ever-increasing notes of ‘Boléro’ rising above and competing with the persistent drum-beat in the background, this was the idea that settled in my mind.

The Silmarillion goes on to tell of the events of Middle-Earth being a representation of the Music of the Ainur, and assures us that although great evil does occur, its power is limited, and in the end all things turn to the greater good. This requires a lot of faith, but it’s something I’ve held onto since first reading it as a young elementary school boy—hoping that it would prove true in our world as it does in this fantastical place.

Throughout the duration of ‘Boléro’, the snare drums maintain their eternal beat in perfect rhythm. Meanwhile, horns and woodwinds, strings and symbols are taken up against the drums. They increase endlessly throughout the song, rising to an incredible cacophony and very nearly drowning out the snare drums which are their source.

At times, the listener can barely hear the drums, but when the music changes, or when there is a brief silence in the din, they are ever to be found beneath the turmoil, just as they were before. Patient, persistent, eternal.

Taking this in, I couldn’t help but feel I heard God in those snare drums. The music rising against it was like the duelling theme of Melkor—want and greed and malice and destruction. These are present still in our world, and will often threaten to overwhelm the senses of those unguarded ears who know not how to find the consistency of Grace beneath.

Much like the confusion of the composition at hand, it’s easy to get lost in this world. These days, perhaps more than ever, the myriad distractions and temptations we meet each day are easily sufficient to overwhelm the senses and deafen us to reason and decency. It takes a concerted effort and a determined will for us to focus on what is right and just, when so much around us seems so dark and hopeless.

But of late, I have seen greater evidence of Grace and beauty in this world than I have long held possible. It’s buried no doubt, often times nearly beyond reach. And all the while the daily racket of industry, and want, and loneliness and grief compete for our ear, turning us away from the true rhythm of the world and focussing us only on ourselves.

But to miss the rhythm is to miss the point entirely.

For no matter how dismal the world can be, there is light to be found, and beneath the din there is the rhythm of Grace for any with the will to listen for it. Immutable and constant, it plods along as it always has, unaffected and undeterred by all the competing noise, and when the racket of distraction dies down, its beauty sounds out all the clearer.

I know it isn’t easy. The clamour of discontent can be deafening, and it is often all too easy to fall into this discord and march along with the madness rather than keep to course. But this is folly, for no matter how distant it may seem, for every evil there is goodness still. Where there is hate, there is also love. Where there is terror, there may also be found mercy. For the loneliness of a consumerist society there remains the comfort of the family home. There is friendship, and loyalty, and faith, and hope, and honour…for every conceivable darkness, there is a light which can still set things right.

The drums of decency pound on, and when the din of darkness rises too high for the ears to readily perceive them, all the more must we focus our hearts and minds to that eternal rhythm, and trust that all will unfold according to that divine beat.

-Brad OH Inc.