Fringe Fest Play Review- ‘Rigby Muldoon: Time Traveller for Hire’

cropped-cropped-blogbanner13.jpgLast Saturday I found myself skillfully navigating the crowded and popcorn reeking confines of the Edmonton Fringe Festival—lovely lady on my arm—in a hurried attempt to make it to the box-office in time. My friend Tom, the Stage Manager of the play I’d chosen to see, had advised me that advance tickets wouldn’t be strictly necessary, yet still an uneasy feeling mounted in my gut as I pushed through the mobs on the way to the PCL Studio Theatre.

As is often the case, my intuition had served me well—albeit late—and I arrived just in time to find the box office freshly out of tickets for ‘Rigby Muldoon: Time Traveller for Hire’. Damn my luck! What sort of fringe fest play sells out on its opening weekend?

Well, this one by all evidence. ‘Rigby Muldoon’ sold out its opening night in fact—and every other night since!

Written by Robyn Slack and directed by Olivia Latta, ‘Rigby Muldoon: Time Traveller for Hire’ is a noir-infused sci-fi comedy which tells the fascinating tale of aimless gamer-girl Annie Sinclair (Carina Morton), who is so desperate to undo the decisions of her past that she hires the services of the gritty and unabashedly noir-inspired time traveller: the titular Rigby Muldoon (Joshua Lee Coss).

Rigby And AnnieRigby Muldoon (Joshua Lee Coss) and Annie Sinclair (Carina Morton)

‘Rigby Muldoon’ was first test-read at Nextfest in June of this year, and only written in May. For such a relatively short turn-around time, the performance was impressively polished and professional—a 75 minute romp through time which brought consistent laughs to everyone in attendance.

While writer Robin Slack admits that the themes of the play are laid out on the table pretty early, the deft exploration of the subject matter keeps the audience guessing at several ongoing strands, while distracting like a skilled magician with a litany of jokes ranging from time-travel idiosyncrasies, to complex call back humour and even several plays at retro-inspired nostalgia (not limited to a Coolio reference!).

The tone of the show is unapologetic in its passionate dedication to what’s come before it—it’s innately chrono-conscious after all. The heavy noir imagery and attitudes manage to work incredibly well alongside the throwback video game references and 90’s irreverence which the cast find themselves mired in.

To give some context to the menagerie of mad settings and insightful writing you might find here, one stand-out scene involved a laser-tag shootout which served not only to make some key advances to the storyline, but also to utterly—and hilariously—tackle the concept of ‘trolling’. Take notes kids!

Of course, the humour isn’t limited to 90’s culture and unexpected twists: every facet of the stage design, costuming, and acting serves to solidify the intentionally overblown themes and self-aware quips. It seems at times that each scene might fit as well in a play of a totally different genre—but ‘Rigby’ is one of a kind!

In fact, as I sat watching the show in silent admiration, I realized how unsurprising it was that it had sold out every night it’s been put on. With its non-stop laughs and impressively subtle twists, it is the undeniable progeny of an unrestrained love for all things nerdy, coupled with an innate understanding of the fundamentals of good storytelling.

Group-1Left to Right: Laena Anderson, Robyn Slack, Joshua Lee Coss, Carina Morton

Speaking before the show with Writer Robyn Slack, I was assured that the play’s performance had exceeded his expectations. If so, he may be well-advised to broaden them before considering the next step for ‘Rigby Muldoon’. Its abundance of humour works on all levels while managing to make room for enough essential character building moments to keep the audience affectionately engaged throughout. My showing ended with an extended standing ovation from the sold-out crowd, and I can scarcely imagine the ending is much different no matter what night you attend.

As of the time of this posting, there are only two showings left of ‘Rigby Muldoon: Time Traveller for Hire’. You can catch it at the PCL Studio Theatre at the Edmonton Fringe Festival at the following times:

Saturday August 22nd – 8:45pm

Sunday August 23rd – 6:45pm

Just remember, unless you have the time-altering talents of the titular Rigby, you’d do well to learn from the mistakes of this writer and get your tickets in advance!

For More Info: Rigby Muldoon

-Brad OH Inc.

Album Review: Insane Clown Posse’s ‘The Marvelous Missing Link: Found’

The Gentleman Juggalo LogoOn April 28th of this year, the Insane Clown Posse released their album- ‘The Marvelous Missing Link: Lost’. This album was the first part of the 3rd Joker’s Card of the Second Deck. That’s a lot of jargon to sort through, but we here at Brad OH Inc. have you covered—just read our review of ‘The Marvelous Missing Link: Lost’ (Link) to help you sort it all out.

For now, suffice it to say that ‘The Marvelous Missing Link: Lost’ was one half of the two-part series known as ‘The Marvelous Missing Link’. The titular ‘Missing Link’ refers to our internal link to belief—our connection to and faith in whatever keeps us on the right track.

As such, ‘Lost’ was an exceedingly dark album both sonically and thematically. It described the existential horrors of living with no grounded set of beliefs—no sense of purpose to keep one rooted in positivity or faith. In our review of that album (Link), we discussed how this desperate state was represented in the genesis of the Insane Clown Posse themselves (Link). More to the point, the formation of the band may have been the moment when Violent J and Shaggy 2 Dope’s Missing Link was first ‘Found’.

This brings us to Part 2 of ‘The Marvelous Missing Link’—‘Found’.

The_missing_link_FOUNDClick image above to buy the album.

 ‘Found’ is a very different album from its predecessor, ‘Lost’. While ‘Lost’ focused on the absence of meaning in one’s life, ‘Found’ is the very opposite. With a theme of deliverance and hope, the positive basis of ‘Found’ is heard not only in its lyrics—which tend towards meaning and connection—but also in the sound of the album itself. Where ‘Lost’ was sonically a very dark and sinister record, dominated by industrial-loops and repetitive DJ scratches, ‘Found’ takes a different path entirely.

In fact, fitting to the subject matter, this release may stand as ICP’s most ‘mainstream’ sounding effort to date—with several songs (most notably the lead single, ‘Juggalo Party’) sounding not too dissimilar from the sort of jams you might expect in your typical nightclub. The content isn’t quite the same to be sure—it’s significant that this album sees the return of the Wicked Clown’s sinister sense of humour, which had been conspicuously absent on ‘Lost’—but the gentle rhythms and upbeat tempo provide for a much gentler aural experience.

Once again, this album has been produced without long-time collaborator Mike E. Clark. However, the now familiar team of Mike P, Michael ‘Seven’ Summers, Brian Kuma, and James ‘Young Wicked’ Garcia return to bring a fresh and effective sound to the album. The standout this time is ‘Seven’, whose smooth and flowing beats bring a reflective sense of peace to the album which is truly fitting for the subject matter at hand.

With the positive outlook and comforting tones of this album, the band is successful in bringing their audience a fun and reassuring experience. Song topics range from parties with friends, comfort in belief, and appreciating the time we have; all fitting well with the theme of the album. Others seem slightly less on point however, with songs such as ‘Lost at the Carnival’ or ‘Pineapple Pizza’ having little bearing on the overarching theme of the album, yet contributing in a broad Gestalt effect to deliver the familiar humour and style that the Juggalos demand.

‘Lost’ was certainly a more focussed album, never erring from its morose themes. ‘Found’ bounces around a bit more, providing for a more scenic if slightly distracted jaunt through many of the expected sights for those familiar with the band.

Similar to the track ‘Hell’s Forecast’ on the ‘Shangri-La’ album, the scattering of darker themed songs on this offering remind us how reticent ICP are to put out a wholly positive album. They know that the root of their fan base lies in ‘the Wicked Shit’ that started them off, and they are always more than happy to deliver. While this may ultimately mean that ‘Lost’ will stand as the greater artistic output of the two, ‘Found’ has an undeniable charm, and its positivity is unapologetically contagious—which is surely the point here.

Standout tracks include ‘OK’, ‘Lost at the Carnival’ (providing you have a system with good bass), ‘Juggalo Party’, ‘The World is Yours’, and ‘Time’. Other songs of note include the return to form ‘Shit-Talking’ song, ‘Get Clowned’, and the country-infused comedy track ‘Dreams of Grandeur’, which shows some heavy inspiration from their 2011 Jack White collaboration, ‘Mountain Girl’.

‘Mr. White Suit’ is something of a slow burner, but has been growing on me with repeated listens. The most direct ‘God’ allegory on the album, it’s a catchy track on its own, and an important departure from their standard fare of songs which does much to bring out the intended emotional effect of the album.

Still, while the narrative promise here was to explore the things which keep people connected to a sense of meaning or purpose, this album was less overt in its talk of higher powers than was ‘Lost’, particularly in the respective intros.

One important but subtle effort here is the distinction between the liner notes in each album. While ‘Lost’ was filled with images of violence and strife, in ‘Found’ we find images of friends and lovers, cooperation and progress. Similarly, while the Clowns (thankfully) avoid being too on the nose with their message, they do a good job throughout the album of incorporating themes of belonging and connection, while illustrating how little things such as friends, family, humour, and purpose can lift us out of the doldrums of a life devoid of meaning.

This mix of introspection and irreverence makes for a slightly off-focus, yet impressively poignant package. Too strong a focus on meaning may have left the album feeling heavy-handed. But by combining these topics with songs that are merely for fun, ICP accomplish their intentions with a more roundabout, show-don’t-tell delivery.

In our review of ‘Lost’ (Link), we explained why that album was not the one the Insane Clown Posse likely ‘should’ have released at the moment. ‘Found’ is much closer to that imaginary ideal. With its mix of upbeat bangers, comical irreverence, and anthemic crowd-pleasers, ‘Found’ is an album which—while it may not garner the level of media attention that 2009’s ‘Bang Pow Boom’ did (Link)—is certain to provide plenty of entertainment and meaning to the Juggalos.

And what better testament of success for this album? For just as the band itself acted as the ‘Missing Link’ for two young men in inner-city Detroit, so too have their musical efforts been the ‘Missing Link’ to countless people since—people who often have little else by way of meaning or purpose in their lives. To the Juggalos, the Insane Clown Posse have always been an opportunity to find that sense of purpose, and to that end, ‘The Marvelous Missing Link: Found’ is a terrific success.

-Brad OH Inc.

On Combating Jihad

purelyspeculationAmong the myriad fears and apprehensions inherent to life in these chaotic times, the threat of ‘Jihad’ reins omnipresent. It is beamed into our consciousness daily, reminding us that we may at any moment be wiped out by hateful and demented foreigners who seek only our blood.

It’s not an encouraging thought.

Defined according to my loose understanding (and if anyone has a greater skill for this, please share in the comments), ‘Jihad’ refers to the duty of Muslims to maintain their religion. This can be represented in many forms, and by the Islamic Extremists represented under the ISIS banners and others—this is seen in a Holy War against the ‘Western World’.

This notion of Jihad, and especially the extreme form it takes under ISIS is a new kind of war. It’s a war of ideas. And at present, they are winning it. Each day we hear of more citizens packing up and leaving to throw their lot in with these ‘dangerous radicals’—giving up life and liberty in order to risk life and limb.

What drives this madness?

Jihad is a story of reactive hatred—of fear for what is perceived as a threat to one’s lifestyle. But it’s a story, a metaphor like any other belief system a human can settle upon. As we’ve discussed (Link), people need stories to find meaning in life, and while this can be a wonderful thing under the right circumstances, we also showed in the article ‘The Popular Misappropriation of Blame’ (Link) that belief systems are a reflection of circumstances, and in dire straits can easily turn to this sort of vengeful bloodlust.

Forming upon such considerations amidst the harsh climate and unforgiving politics of the middle-east, it’s understandable how such an angry ideology would serve. But one story interacts with another, and what exactly do these individuals see when they look upon the so-called ‘Western World’? The world of ‘Freedom’, ‘Democracy’, and ‘Capitalism’?

We claim to be democratic and free in the political sense, but there is no doubt our economic system overrides our political one (Link) . We are driven by corporations—greed and dominance. Growth through desolation. We spread like locusts, sapping the world of its resources to live in luxury while we send those beyond us spiralling into chaos. Meanwhile, our ideals are hung up in the impotent stories of political parties with little true control over our nation’s direction.

Pantomimes and parodies.

In the waning days of religion in the West, we have no Gods to look to for guidance. Yet we continually claim we can act morally without such ‘frivolities’. This is true of the individual to a certainty, but we are yet to prove that a nation without a great idea to stand behind can ever act righteously on the global scale. The freedom we boast of is a lie. And so are we.

Jihad is an idea, and ideas are only fought with better ideas. As we continue to drop bombs and glorify our struggle against terror with arms alone, we succeed only in strengthening the resolve of our enemy—doing nothing to increase the power of our own ideals. Like the Lernaean Hydra (Link) we cut one head off, and two more grow back.

No, the only way to win a war of ideas is with the very same. Rather than contenting ourselves with the dissemination of false ideals, we must begin to truly model them as well, and show what the freedom we boast about really means.

Right now, the realities of our society are witnessed all the more astutely by those without, and what a dismal image it strikes. To win the war against global extremism—be that ISIS or any other expression of it—we must combat it with our own, superior idea. We need to talk it, walk it, and live it in every sense.

But before we do that, we’d damn well better settle on exactly what that idea is…

-Brad OH Inc.

Welcome to ‘The Gentleman Juggalo’

The Gentleman Juggalo LogoWelcome to ‘The Gentleman Juggalo’, a brand new post-category (Link) here on Brad OH Inc. Some of you may not be familiar with ‘Juggalos’ (Link), the infamous fan-base of the Insane Clown Posse (Link). Well, it just so happens that one of our dear writer’s here at Brad OH Inc. is a self-professed Juggalo, and has expressed a desire to help educate and enlighten our readers about this strange and maligned sub-culture.

It’s true certainly, that the Insane Clown Posse and their fans have been covered here before—most recently in our review of their album ‘The Marvelous Missing Link: Lost’ (Link). But apparently, that wasn’t good enough for the tenacious, painted bastard at our news desk, and so we’ve been convinced to roll out this sub-category to help distinguish such articles in the future.

For now, and especially for those of you less familiar with the Insane Clown Posse and their Juggalo Family, we’re taking this opportunity to provide a primer in the form of our formerly released essay ‘Circular Journey’ (Link), which is a psychological study of ICP member ‘Violent J’ through the lens of Ernest Becker’s ‘Terror Management Theory’ (Link).

Circular Journey Cover

Now, the mockery and degradation of Juggalos is ubiquitous online these days—hell, the FBI even went so far as to classify them as a hybrid-gang (Link)…but more on that later.

At Brad OH Inc., we are committed to providing fresh content and unique perspectives, and what we find missing in the reporting on Juggalo culture is the sort of unbiased, insightful critique demanded for nearly any other topic in media. We believe you’ll find that here. In fact, ‘Circular Journey’ (Link) should act as a fine introduction to the sort of measured, informed look at the Insane Clown Posse and its fans ‘The Juggalos’ that ‘The Gentleman Juggalo’ (Link) is poised to offer. We certainly hope you enjoy it.

-Brad OH Inc.

Why the United States is Not Morally Justified to Limit Immigration

purelyspeculationIf there’s one topic permeating public discourse above all others these days, it’s immigration. How to control it, what amnesty programs should be in order, and how it will affect the future of the western world are discussed daily—politicians all sounding off with their own theories, interpretations, and biases.

But the issue is simpler than it’s made out to be. Today, we’re here to discuss why the United States (and the rest of the ‘1st World’ for that matter) has no moral justification to limit immigration whatsoever.

Popular hysteria would find this claim entirely daft no doubt. As Donald Trump elucidated so profoundly in his recent Presidential bid (Link), common perception of immigrants paints a picture of a hoard of locusts come to devastate our pristine and peaceful land. He saw some backlash to be sure (Link), but make no mistake that his sentiments are shared by entirely too large a portion of the population.

So let’s examine the issue a bit more critically.

First off, it must be noted that the North American continent as it is now was built entirely by immigrants. Steel workers, factory workers, road builders and ditch diggers all came from abroad to find the freedom still sought by immigrants today. So there’s an undeniable element of hypocrisy in any claim that immigration is inherently harmful to this or any other nation.

Speaking of past immigration, even if the hotly debated Mexican border were to be shorn open completely, the resulting influx of immigration would be far less destructive to our culture than was our initial immigration to the Native population at the time. But let us not dwell on the past; this is about the present. History continues on by the day, and we must reckon ourselves to the fact that the machinations of the Western World are among the key forces driving the influx of aspiring immigrants around the world. If necessary, their concern for the laws of immigration will be no greater than we once showed.

And justly so. At present, all nations outside of the alleged ‘1st World’ are treated as low-cost production facilities, mining operations, or to put it flatly, as simple, legal sources of modern slave labour. This system produces the vast majority of luxury commodities we benefit from in our daily lives as those doing the building are left to linger in abject poverty.

Once again, Trump makes for a depressingly potent example. While decrying the potential dangers immigrants may bring, he rests high among the contributors to the need for such Freedom-bent exodus. Even as he stands at his pulpit and casts down his vitriol and hatred, he has operations going word wide paying slave-wages to potential immigrants desperate for a chance at something better (Link).

Trump isn’t an isolated example. The ‘Western World’ has a long history of supporting dictators they know will keep this system of indentured servitude in place, while reaping the benefits from the comfort of their own state-side villas.

Ignorance incarnate, this attitude is due for a rude awakening. It’s coming sooner than they think, and these entitled sycophants will shortly learn that you can’t piss in the pool, and then complain when people scramble onto the deck.

Like it or not, we are connected in this world (Link). For every ounce of unearned comfort we see, there are others who suffer a pound. To expect these benefits—at the cost of such despair—and yet expect to close the doors to any who seek only for themselves what we can barely appreciate is the height of arrogance.

If the current luxury we take for granted is to be preserved, it must be made available to all. One way or another (Link) people will find their happiness. If we find ours at the expense of others, we can only expect the same in turn. So let us invest rather in the future of all—for only by building a better world for all its inhabitants can we find justification in enjoying our own spoils.

-Brad OH Inc.

‘The Election’ Published on GonzoToday

cropped-cropped-blogbanner13.jpgHere at Brad OH Inc., we’re happy to announce that our Single Serving StoryThe Election’ is now available for reading on GonzoToday.

A direct link can be found right here.

Further, the downloadable version of ‘The Election’ over at Smashwords is very fast approaching the 100 Downloads mark. That’s even more reason to celebrate! Click on the image below to access a free, downloadable copy of ‘The Election’ on Smashwords.

theelectioncoverWe want to take this occasion to thank everyone who’s downloaded it for your support—we truly appreciate it, and hope you enjoyed the read. For those of you who haven’t yet read ‘The Election’, now is as good a time as any. So click here, or on the image above, and check it out absolutely free in any e-reader format that suits you! Alternatively, you can view it (along with many other fantastic articles) in-browser over at our friends ‘GonzoToday‘ by clicking right here.

-Brad OH Inc.

Saving the World: 101

purelyspeculationSupply and demand is the driving force behind any effective economy. Since the Industrial Revolution (Link) however, the face of the ‘supply’ end has been changing. As reliance on machines began to increase in the production of goods, the number of workers required has reduced correspondingly. Materials and goods are now produced more efficiently, and at lower costs to the producers.

Of course, like all things technologically driven, this process only tends to speed up exponentially over time. With the dawn of automation in factories, and technologies like 3D-Printing reinvigorating the revolutionary process begun in the 1800’s, the balance between supply and demand may never have seen such a radical shift. In fact, it’s entirely plausible that within a decade or two, we could produce the vast majority of our goods with little to no human investment.

As discussed in our article ‘On the Concept of Society’, the advancements of society are a cumulative process, and their rewards must therefore be shared equally amongst its constituents. Sadly, this is seldom the case.

While the supply end of the market grows ever easier, demand remains moreover the same, and the essential balance between the two becomes very different from what was initially intended. Rather than setting a price based on the amount of a good available contrasted against the demand for that good, we see a more methodical approach: With an unlimited quantity of a given commodity available to be produced at extremely low cost, what is the greatest amount that can be charged for that product without alienating consumers?

Therefore, the maximum amount is charged for all goods and services, while the financial gains resulting from improved means of production tend to filter only into the pockets of the business owners.

The final result is that the vast majority of the citizenry continues to struggle to meet their basic needs. Clearly, this system is no longer an acceptable form of management, but where do we go from here?

Let us consider the original need for economic systems such as the ‘free-market’ and its inherent reliance on ‘supply and demand’. The world—and moreover society—has always been in need of guidance, of a helping hand to direct us in the choices we need to make. In its historical absence, humans have spent the greater part of our existence inventing our own, then fighting over the results.

Usually, the established political system is intended to reign in the ambitions of the market place, but here too we have found ourselves struggling. Voters find themselves muzzled by corporate control of government, false-choice party politics, and the impossibility of getting any legitimate populist issue to the table past the corporate watchdogs.

So the economic systems can no longer function, and the political system won’t. There’s good news however. We may finally be at a point technologically where there is no longer any excuse not to begin work on a real solution to these co-morbid failings. A ‘God Program’, if you will. Its basis is already established in the internet, and certainly the tools are there to build towards an effort at human consensus through the ability to share ideas uncensored worldwide. This would benefit all people: both in the economic forum, and the political one.

Currently, the internet—with examples such as Reddit, Anonymous, Occupy Wall St. etc.—represents the incredible brilliance and diversity of our population. However, this brilliant spread of people have next to no representation in electoral politics. The political view is dominated by the opinions of crusty old business men who care only for their own profit margins.

Tapping into the full potential of the internet represents an incredible shift in our conceptions of democracy and political participation. In a return to something closer to Athenian Democracy (Link),this program would give the power of voice back to the electorate.

By fundamentally altering the existing architecture of the internet to handle these lofty ambitions, we could establish not only international, uninhibited communication on key political topics, but also a database of all fact and knowledge—with Wikipedia likely acting as a fine foundation for that concept.

The program would not only increase the political voice of all people, but fully manage the economic considerations outlined in our discussion of supply and demand. Its considerations would need to include population size and the balances therein, crop yield, required sources of work and how such might be distributed. Essentially, with a computer program evaluating all available supply and existing demand, society would largely be engineered rather than controlled—with science, math, and humanity acting as the fundamental drives, rather than money or power.

To be sure, this isn’t a new idea by any stretch—as far back as the founding of Technoracy Inc. (Link) in 1931, the notion of a society driven by logic and engineered from the ground up to meet the needs of all has been floating around. It just hasn’t gained much traction.

Why is that?

The society we have in mind would be ideal for everyone alive. With a perfect balance of resources, a deep understanding of social needs, and a computer program capable of predicting these needs and social shifts well in advance, we could hone our efficiency, while creating a Golden Age in regards to leisure time and cultural advancement.

Balancing all needs and efforts, and focussing a calculated portion of all proceeds towards scientific research that is not limited by the profit margins of corporate priorities, our overflow of resources could be harnessed to solve any new problem which might spring up—certainly not excluding the ultimate and near-inevitable need to begin mining and colonizing beyond Earth.

There would be room for businesses to thrive and continue to both produce and profit from innovative consumer goods in a truly free-market (un-manipulated by large-scale corporate interests), while government institutions and human resources would focus clearly on the benefit of all mankind.

With an extremely small and efficient active workforce, and the needs of all met by this program, opportunities would be available for anyone to pursue their passions, and these would directly benefit all. The idea of job shortages leading to poverty or starvation would be unheard of. Mothers or Fathers would stay home to take care of their children rather than greeting people at Walmart, and all people would be free to choose a pursuit which serves them the best.

The program would allow for balance and bounty, while increasing our leisure time and guiding us into a new era of economic and cultural prosperity.

So then, what might be standing in the way of such an idyllic solution? I suppose you’d have to ask yourself another question. Specifically—when we consider utilizing the internet as a salvation for society: controlling profits, balancing production, lowering costs, increasing personal freedom and social supports, improving unilateral political participation, and using excess profits for the betterment of all—exactly who could possibly stand to lose?

If you can answer that question, you’ll see the reason that society has not yet begun to take these easily available steps towards a more utopian ideal. But in the end, it’s not their hearts or minds upon which real change depends, but our own.

-Brad OH Inc.

Donald Trump, Arrested Development, and the Future of the Free World

Under the Green Desk Lamp…

Green Desklamp

Recently, we here at Brad OH Inc. read an article (Link) about Donald Trump Pinatas being sold in Mexico. This was hailed as a fine example of capitalism in action—the Mexican people, angered by Trump’s racist remarks (Link), were using their money to show what they think of the man.

‘Capitalism in Action’… I wonder how true this is.

What if it was all a ruse by Trump himself, who is not really the racist idiot he’s been portraying lately, but is in fact exactly what he’s always claimed to be: a brilliant capitalist.

Of course, even the finest financial minds require a bit of inspiration, and I think Trump may have found his when recently watching Season 4 of Netflix’s ‘Arrested Development’ (Link).

In the fourth season of this commendable show, there is a storyline involving building a wall on the Mexican border. There’s also a day called ‘Cinco de Quatro’. This mockery of ‘Cinco de Mayo’ was a day invented by the racially-reactive Lucille Bluth as a means of destroying ‘Cinco de Mayo’ novelties in advance of the day.

As it turned out of course, this only proved a very lucrative opportunity for the enterprising local immigrants in the O.C. (don’t call it that).

But considering these events juxtaposed to Trump’s recent activities, I wonder if he formed a particularly wicked little scheme of his own.

Claiming to run for office was all part of the plan, as it created a sufficient platform to insult the entirety of the Mexican people by claiming he would build a wall and have them pay for it.

Trump, and we can assume by this hair-brained scheme that he is at least a bit racist, used this as the bait, and then went to establishing a large-scale business just south of the border producing Donald Trump piñatas.

Clearly, his heinous gambit paid off, and Trump has once again proven himself the insightful genius he’d have you all think.

Or maybe he’s really just a racist windbag. What do you think?

-Brad OH Inc.

‘Town of Truth’

Under the Green Desk Lamp…

Green Desklamp

Today we have another song/ poem from the intellectual property vaults of Brad OH Inc. For your enjoyment, we present the lost ‘Basic Human Indecency’ song: ‘Town of Truth’.

In the city with no lies

Things are not the same

Love is very rare there

There’s no such thing as blame

There are many ideas

And each one has a name

They name them for a dreamer

A man that’s not quite sane

In the city with no faith

There is no metaphor

They keep their eyes upon the ground

And guard dogs at their door

They know just where they came from

And where they’ll go forever more

Their science killed their magic

And life is such a bore

In the city with no soul

Each man is his own slave

He walks his path all by himself

Up to his lonely grave

Their medicine will cure a man

That he could never save

It can bypass the dreamer’s heart

Of which he only gave

But in the Town of truth

The eyes follow the mind

Dreams blossom to vision

Men smile and are kind

Yes the city may be ugly

But the town-folks they are blind…

-Brad OH Inc.

‘The Election’

Here at Brad OH Inc., we spend a lot of time discussing current political events, and what sort of future they might suggest. We’ve also explored many different writers and styles over the years. Today, we have a treat for you that combines the two!

Inspired by the unique ‘Gonzo’ writings of Dr. Hunter S. Thompson, ‘The Election’ is the story of a cynical journalist covering the heinous events of the fourth annual ‘United Corporate Election’. In this dystopian future inspired by contemporary politics, Corporations control all aspects of government, and elections have been reduced to satirical pantomimes in which citizens use their ‘Citizen Spending Credits’ to vote on their favourite features for the elected effigy.

Journalist Duke O’Brady ventures into this ridiculous spectacle to experience the madness firsthand, but may be in for more than even he anticipated…

This short story is one of our favourites–after all, what sort of self-loathing Corporation wouldn’t dream of such an idyllic future?

We certainly hope you enjoy it as much as all of us here at Brad OH Inc. enjoyed writing it.

theelectioncoverCover Art by- Troy Barker

‘The Election’- Smashwords

-Brad OH Inc.